Frage von ironhan:
Tomorrow, together,
I wanted a recording that I made with cams sync.
The cartridge B, I have 2 minutes later, staring so I did not want any gap in recording cassette change. For the subsequent sync, I have used during the recording once the flash.
with the two clips I have to point snychronations
With carved in in-point.
my problem now: the two minutes before the in-point of the cassette A missing me.
What possibilities are there so that I can pack the synonymous synonymous prior to the recording on it to point to the timeline?
thank you very much
ironhan
Antwort von TiMovie:
The in-or out-point is mainly to define the exported movie section!
Instead, either make a cut s.der body or a marker
Antwort von ironhan:
The in-or out-point is mainly to define the exported movie section!
Instead, either make a cut s.der body or a marker but when I mark the two clips, I only dreimöglichkeiten to define the points. undwzar in point, out point and time code.
If I cut, or use markers, I can not even deffinieren in the creation of the multi-clips.
thanks
Antwort von Axel:
Have had, I remember, several times said cassette change, in the middle. I have solved this in which I dubbed the second part of the cams in a normal multi-track timeline and exported as independent films have. Moreover, the "lead" car is filled with timecode (black slug). The syncing as such I think püppi-asy, I use no valves or lightning and synonymous in the timeline no markers. I put the audio waveform in width zoomed above the timeline and test two or three times, whether it fits. The I-Point in Final Cut Pro, however, is not only the parallel connection. It is a more necessary logical zero, the only reference point in the multiclip timeline.
It is certainly easier than if the export / import, but I do not just sit in front.
Antwort von pardalis:
Hello,
may be natural that I do not understand your real problem, but
what prevents you from the sat. To pull the clips in the timeline? The raw material is still in the In / share Outpunkt not changed.
greetings
uwe
Antwort von ironhan:
Have had, I remember, several times said cassette change, in the middle. I have solved this in which I dubbed the second part of the cams in a normal multi-track timeline and exported as independent films have. Moreover, the "lead" car is filled with timecode (black slug). The syncing as such I think püppi-asy, I use no valves or lightning and synonymous in the timeline no markers. I put the audio waveform in width zoomed above the timeline and test two or three times, whether it fits. The I-Point in Final Cut Pro, however, is not only the parallel connection. It is a more necessary logical zero, the only reference point in the multiclip timeline.
It is certainly easier than if the export / import, but I do not just sit in front. this is a good idea. Send the original clip in the third track and to fill in the gaps of the multiclip it.
