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Final Cut Multiclip Problem / synchronisieren

Final Cut multiclip synchronize problem /



Frage von ironhan:
Februar 2010

Tomorrow, together,

I wanted a recording that I made with cams sync.

The cartridge B, I have 2 minutes later, staring so I did not want any gap in recording cassette change. For the subsequent sync, I have used during the recording once the flash.

with the two clips I have to point snychronations
With carved in in-point.

my problem now: the two minutes before the in-point of the cassette A missing me.

What possibilities are there so that I can pack the synonymous synonymous prior to the recording on it to point to the timeline?

thank you very much
ironhan



Antwort von TiMovie:

The in-or out-point is mainly to define the exported movie section!
Instead, either make a cut s.der body or a marker



Antwort von ironhan:

"TiMovie" wrote:
The in-or out-point is mainly to define the exported movie section!
Instead, either make a cut s.der body or a marker


but when I mark the two clips, I only dreimöglichkeiten to define the points. undwzar in point, out point and time code.

If I cut, or use markers, I can not even deffinieren in the creation of the multi-clips.

thanks








Antwort von Axel:

Have had, I remember, several times said cassette change, in the middle. I have solved this in which I dubbed the second part of the cams in a normal multi-track timeline and exported as independent films have. Moreover, the "lead" car is filled with timecode (black slug). The syncing as such I think püppi-asy, I use no valves or lightning and synonymous in the timeline no markers. I put the audio waveform in width zoomed above the timeline and test two or three times, whether it fits. The I-Point in Final Cut Pro, however, is not only the parallel connection. It is a more necessary logical zero, the only reference point in the multiclip timeline.

It is certainly easier than if the export / import, but I do not just sit in front.



Antwort von pardalis:

Hello,

may be natural that I do not understand your real problem, but
what prevents you from the sat. To pull the clips in the timeline? The raw material is still in the In / share Outpunkt not changed.

greetings
uwe



Antwort von ironhan:

"Axel" wrote:
Have had, I remember, several times said cassette change, in the middle. I have solved this in which I dubbed the second part of the cams in a normal multi-track timeline and exported as independent films have. Moreover, the "lead" car is filled with timecode (black slug). The syncing as such I think püppi-asy, I use no valves or lightning and synonymous in the timeline no markers. I put the audio waveform in width zoomed above the timeline and test two or three times, whether it fits. The I-Point in Final Cut Pro, however, is not only the parallel connection. It is a more necessary logical zero, the only reference point in the multiclip timeline.

It is certainly easier than if the export / import, but I do not just sit in front.


this is a good idea. Send the original clip in the third track and to fill in the gaps of the multiclip it.




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