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Richtlinien bei Filmschnitt? Vorspann etc...

Guidelines for film editing? Header, etc. ..



Frage von möhre:
Juli 2007

Hello movie fans!

I'm working s.einer small film reportage. It is my first major (art) Project in FinalCutExpressHD.

Apart from the cut of my movie ... There are specific directives for the header (öglicherweise synonymous guy) ... or of shooting?

I think because s.Referenz Color Bars-Inserts or temporal distances up to the actual movie start? I think you know what I mean ...

Can you enlighten me a bit, which I With the accession of eight uss to synonymous somewhat presentable (broadcast) material to get?

About the search, I could here nothing really relating to the right place!

Thanks + Regards,
Holocene



Antwort von robbie:

In principle, for HD, the same technical guidelines regarding preload and Co. ..
For the formats that looks a bit different. Media production or XDCAM HD formats below example of Discovery HD is not accepted.

For SD you are in any case on the secure page, if you keep s.das since:
http://www.prosiebensat1produktion.de/incl/files/050729Technische_Richtl_D.pdf

Enjoy the read!



Antwort von PowerMac:

No, it's not. Not in the sense you mean. A header control is part of the movie. You mean maybe the technical preload. It is not standardized, but in all different channels, if synonymous with the two private television groups uniformly. Researching s.Besten to the technical guidelines and technical preload. Forget the technical synonymous After clamping not. You searched for band synonymous delivery often as possible 50 Mbit / s MPEG-2 are provided.

Here is the for RTL & Co described:
http://www.ip-deutschland.de/ipdeutschland/download-data/Technische_Richtlinien_RTL_Television__Werbung_deutsch.pdf
http://www.finalcutprofi.de/phpboard/viewtopic.php?t=37750&sid=e0d7beaca042dc7bfff0af5c5ff8cb13
http://www.movie-college.de/filmschule/medien/pflichtenheft.htm





Antwort von smooth-appeal:

It sounds to my ears very bad and difficult.

Are there companies that some inexpensive "sendetaugliches" video footage from it?

Or maybe a step by step explanation of this procedure which broken better?

Greeting
smooth-appeal



Antwort von thos-berlin:

What is difficult specifically s.dem procedure?

The Color Bars and a Normton you can with any decent editing program to produce. Otherwise you have to see the Sound and the test image to produce otherwise. You should, however, not just another video and take the hinunterkopieren there. The technology is used to preload adjusting your belt, cut with your technique with that of the sender (and not the comparison of any band that is with your technique has nothing to do with the transmitter).

A possibly required Bullets "you can though you all of another tape herunterkopieren.

If certain time codes are required (eg: 10:00:00:00 contribution for the start), then you have a need to Maz, the setting of time code support. Amateur devices begin their recordings mE always with the time code 00:00:00:00.

If you can not, you have possibly somewhere ansonstzen your finished tape to such a copy can MAZ ....

Since no further processing is necessary (or should be), then the price is still relatively cheap.



Antwort von robbie:

I think his problem is rather the usual stuff like Maximum luminance, chrominance, black levels, etc. ..
Premiere comes as a filter, you are on the whole timeline must apply, which means "broadcast colors" ... corrected all of these values to the default values ...



Antwort von Andreas Pokladek:

"smooth-Appeal wrote:
It sounds to my ears very bad and difficult.

Are there companies that some inexpensive "sendetaugliches" video footage from it?

Or maybe a step by step explanation of this procedure which broken better?

Greeting
smooth-appeal


Dear smooth-appeal,

the theoretical and technical description is one thing, real life is another. I myself longer with n-tv worked today to create the WDR and not so hot here is eaten, how it's cooked ...

Ok, you have certain standards compliance. You have your picture in the handle, ie the black and white values must be correct (waveform monitor and possibly correct the white and black level) and the sound should be clean ausgesteuert (not on, or only a little over 0dB/analog ). Of course you should not "illegal" colors in the material.

The tape should have a technical prestressing in the rule: Start at 59:00:00 with 30 sec Color Bars (ausgesteuert clean of course) plus 9dB Pegelton 1000 Hz

From 59:30:00 20-second black and p.10: 00:00 then your piece.

But this is just an example. there are many variations. Synonymous Sometimes you can find a countdown p.59: 50:00.

Sound always separated: Track 1 as the spokesman for the text (voice-over) on track 2 O and the Atmo-tones.

I think the complete description of what makes the material broadcast and what the standards for video material are beyond the form of the Forum, please search your book or the appropriate tutorials. You have links with PowerMacs already get a glimpse at what it does.

Poor material aufzublasen on fitness is not broadcasting, you have of beginning with a professional production chain to work. DH a professional DV camera and a minimum cut.

Long time, the "WOW" criterion for the entire 3-chip squad as SonyPD-150, Panasonic DVX-100 and gentlemen, that you have with these Kamreas "sendetaugliches" material can produce. Of course you can send everything, even after the VHS colors and corrects it by a TBC has run ...

As a tape is like Beta, Digibeta, IMX or seen. At WDR synonymous Professional Disc (Blue Ray in the professional version). Under Umstaänden synonymous DV or mini DV. It depends but most of broadcaster. On the other hand, it is true that you s.was deliver. At current EB satellt images you gant requirements other than contribution s.einen finished magazine or even a finished report.

In EB, most pictures are not so silly transmitter and can be cut much nachkorrigieren themselves. From the everyday work, I know that everything possible can trick. On the other you're a freelancer quickly down when you know that your material no professional standards.

In the retail sector is the most Endmedium a DVD. Here is what looks good ... so much softer standards.

A wide field ... a lot of fun.

Many greetings from Dusseldorf, Andreas.



Antwort von Andreas Pokladek:

Grade had the other post relating to read: true, "everything is half as wild. You may not be explained by the technical deterred.

(If, however, know what is behind it)

Gruß, Andreas



Antwort von steve:

This message has already decomposed ...



Antwort von Andreas Pokladek:

"steve" wrote:
"Andreas Pokladek" wrote:


Sound always separated: Track 1 as the spokesman for the text (voice-over) on track 2 O and the Atmo-tones.

Many greetings from Dusseldorf, Andreas.


Could you perhaps explain.

Starting material Atmo, stereo on track 1 +2
After processing Atmo MONO on 2 and on track 1 VoiceOver?

Then I no longer stereo? Right?

Gruß Steve


True, in this case you would have no more Atmo. What are you doing your O-tones go? Track 1 or 2?

Everything but decided afterwards, on average, or much more in the off on broadcasting's band ..

That was synonymous only one example. Of course, synonymous track 1 and 2 stereo and Atmo Track 3 o. 4 Voice Over ... all you need to just write shell de ....

The above example is an example from the Produltionsalltag, which is very often found. Atmo is usually only mono anyway.

Gruß, Andreas



Antwort von Andreas Pokladek:

"Andreas Pokladek" wrote:
"steve" wrote:
"Andreas Pokladek" wrote:


Sound always separated: Track 1 as the spokesman for the text (voice-over) on track 2 O and the Atmo-tones.

Many greetings from Dusseldorf, Andreas.


Could you perhaps explain.

Starting material Atmo, stereo on track 1 +2
After processing Atmo MONO on 2 and on track 1 VoiceOver?

Then I no longer stereo? Right?

Gruß Steve


True, in this case you would have no more Atmo. What are you doing your O-tones go? Track 1 or 2?



Sorry, it must of course read: True, in this case you would have no more stereo. What are you doing your O-tones go? Track 1 or 2?



Antwort von steve:

This message has already decomposed ...



Antwort von Andreas Pokladek:

Dear Steve,

you have a question you already answered yourself. For DVD's is no preference (unless you have before various languages, then of course the voiceover concerns in different variations ... Or you make fundamentally different tracks mixed in stereo)

For transmitters: see above. I think you understand what's important:
A sender wants maybe the voiceover again speak a different language, or create (eg: the great documentaries on the BBC ...) it must be the voiceover on a separate audio track.

Gruß, Andreas [/ img]



Antwort von PowerMac:

I know the IT version but with more tracks 3 +4 for Athmo and Interview
1 +2 for Off.




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