Frage von theFlash:
Hi,
I am looking for a Microphone with which the wind noise inside a tower can record the internal micro camcorder delivers a rush, I guess the times will filter the noise that I actually want out as background noise or something
ich hab mich da mal was asked about it but except for the undirected (ie in all directions record) should not really determine what type of microphone do I need
Antwort von Markus:
Hello,
Elektret-/Kondensatormikrofon with a ball or kidney pattern would perhaps be the right ones. And I have a perfectly normal synonymous directional microphone (kidney or lobe pattern) for the recording could imagine.
Would be even more important that the audio recording device to minimize self-noise, which then could be with.
Oh yes, in the Postpro should then be synonymous, how much bass in the recording contained (possibly reduced). Not that the audience with better audio equipment from the skin chairs, because the subwoofer through space jumps! ;-)
Antwort von theFlash:
thanks for the quick reply,
what is the price for that because I need not have the 1A surround you mus do is listen to the noises it makes the thing, I could as synonymous to a cheaper product, or may I then only rush
Antwort von Markus:
Unfortunately I have no idea how loud or quiet the noise in a wind turbine is. You may already have a sufficient Microphone for 60 ¬, maybe it needs one for 400 ¬. When recording a single synonymous latter can borrow for a few Euros s.Tag.
Or you can be the voice of someone with the necessary equipment to carry out, then it would not be your problem. ;-)
Antwort von theFlash:
ok thanks for the help, I look at me then times more en bsichen to exactly what I was used to
Antwort von Jake the rake:
You must of course make sure that there is enough noise unbearable. Because when you will surely find something cheap. An additional damping (which is selectable s.Micro) could be of benefit to be synonymous ...
Antwort von kkutte:
Hello
Can you s.Deiner Camera sound absolutely disqualify manual?
If you can not synonymous with a good Microphone problems with loud noises get.
gruß
kkutte
Antwort von tuner49:
First, it should be made clear which frequency or frequency range to be made, what volume there is and from which direction the noise came, ie "Ambianz" So uniform recording from all directions, or more targeted areas such as machinery or rotor, of course, taking into account the resonance in this space (because it is easy to imagine that the walls of a large quantity of sound in all directions, reflecting).
This leads to the criteria of the polar pattern, the frequency range and the sensitivity of the microphone.
Then the search started.
If the sounds or parts of it are relatively quiet, a Conde Sator-Microphone be most probably a large diaphragm microphone at low frequencies around 20-50 Hz aufzuzeichenen optimal.
The membrane of this type of Microphones has the lowest mass because unlike dynamic Microphones has no coil and glued mitbewegen need. This is the response and the sensitivity s.grössten.
Design reasons, however, requires a condenser Microphone (usually with a C-name, as opposed to dynamic with D-name) a phantom voltage (usually 48 V), ie a recording device.
My daughters (Tonassistentin the film and TV) s.liebsten works with a Sennheiser MKH 416 and a digital recording device.
The MKH 416 costs about 1,000 euros without accessories, but for very little money to be borrowed. But it is an indicative microphone, only from a certain direction of the sound recording. It is convenient to buy at ebay.uk, usually around 550-650 GBP.
Very good sensitivity and very clear results C-vocal microphones, the synonymous in the studio for vocals, or radio announcements used.
The minimal self-noise allows a high level control.
When a "round" recording is to be made, it will be really expensive. If the sound but the camera swivel monitor, can be a good C-Microphone can be used.
Come into question as the AKG C-5 of S on ebay almost new p.100 euro is to have the AKG C-900 (approx. 120 Euro, Euro at ebay p.50) Sennheiser E 965, etc. However, the highest sensitivity to a relatively small range of up to 15 cm distance is limited. But when you take control of appropriate level of sound sources from several meters away and with a clear high definition, but are primary as singing or Spechmikrophone conceived.
All these Microphones have XLR connections. an XLR cable will cost a few euros, but the recording device should also be a XLR input connector with phantom have (eg external digital recording device).
Special for camera shots, there are the Sennheiser MKE 400 with adjustable sensitivity on the distance to the sound source and holdings of one AAA Battery and 3.5 mm stereo jack new by 180 euros. See this demo video: http://www.revver.com/video/771917/k2-02-sennheiser-mke-400/
He is responsible for the recording of noises Abiante obviously not suitable.
If ambiante recorded sounds to be, they should be recorded on separate tracks and then be incorporated. For such recordings could be a cheap studio microphone like the AKG 4500 B-BC, which is already under 500 euros on ebay or around the $ 600 to have, or possibly rent (there are special shops for this, often in the vicinity of film and TV studios).
Comprehensive test reports / opinions of engineers and professional musicians over several hundred Microphones can be found at Harmony Central - Nashville, Tenesse under
http://reviews.harmony-central.com/reviews/Microphone
It should not be verschiegen that successful recordings under difficult conditions such as in this case a degree of experience and actually put a lot harder than screen shots.
It depends a lot depends on what the shots were intended.
Greeting
