Frage von vogelmutter.at:
Hi folks!
I have read on various internet sites, that you language s.besten optimized by retrospectively midtones hochschraubt and after that one drüberlegt Dees. But how exactly I reinforce the midtones with Audition or Premiere.
In audition, there be a plethora s.auswählbaren filters to give their names but do not provide information about their effect. In any case, I can not figure it out, what filter should I then apply to get a good result.
So perhaps there among you a few experts that I can help there.
The second is that somehow the sound is bold in my video productions never really ". Often shows me to audition for a grouping of several soundtracks (Language), an overload. If I fix this congestion will be all pretty quiet. If I did not fix the congestion, then krachts course.
So I figure it does not. Some parts of my soundtrack are not extremely busy and loud, others relatively quiet but busy.
Who knows from there?
If yes, thank you, if not, synonymous!
Antwort von Robert Kleine:
Language "Bold & Beautiful" in Premiere Pro:
I usually use the following insert and work with one of the mixer submix Premiere Pro: First step I take an EQ where I work over the frequencies: For most microphone recordings, you can take out the depths of something (possibly synonymous LOW CUT) and the heights . Here one can still synonymous quickly raise the volume in general.
Then I take the DYNAMICS and feel my way slowly ran: Setting the compressor (which is is the one that's "fat" does), so that compressed Sprachdynamik. Setting to "just before pumping" to subside-and the subjective) Noise. EXPANDER set so that a noise-breaks are suppressed and the LIMITER set so that some peaks are easily cut ".
Important: For each switch setting types in "Dynamics" and turn the filter process, otherwise you end up in Nirvana. And ... always have a look at the Peak Meter - synonymous as it looks, what you do.
The Ergbniss I reinforce still with the volume to 0dB (CD / Internet) or-9dB (DV / Broadcast) - done!
BTW: If you work with a compressor and you should have a strong noise in the sound, one before (or even suppressed in Audition with Nero Wave Editor) to remove the noise /. For if the dynamics pressed on an area "" is that noise is subjectively more!
If you have the Waves plug-ins can be the best results with the C1, etc. make. With whom do you get the language so fat, like in the Marlboro advertising or movie trailers.
Regards, Robert
