Although am not a beginner when it comes to video, but very well in terms of light.
Now I want to deal with as I got in that light and matter to me (to buy without DEDO or ARRI light) increased an essential basic equipment for rudimentary trial and error.
I emphasize that because I of searching for eternal and a budget of maximum ¬ 100 came across the following possibility:
I would take two of these: http://cgi.ebay.de/1-9m-TELESKOP-ARBEITSLEUCHTE-BAUSTRAHLER-ARBEITSLAMPE-Y_W0QQitemZ280531683476QQcategoryZ25835QQcmdZViewItemQQ_trksidZp3907.m263QQ_trkparmsZalgo%3DSIC%26itu%3DUCI%252BIA%252BUA%252BFICS%252BUFI%252BDDSIC%26otn%3D20%26pmod%3D120584674452%26po%3DLVI%26ps%3D63%26clkid%3D5526037528713655705
They are not dimmable, but at least separately switchable. Together, they have a light output comparable with a 400 watts halogen flood light (a bit less).
And because of the color temperature, I would replace the bulbs against the following (or do I need to do that may not exist?) http://cgi.ebay.de/Spiral-Fotolampe-Energiesparlampe-35W-5400K-Tageslicht-/120606715268?pt=DE_Elektronik_Computer_Foto_Camcorder_Foto_Camcorderzubeh% C3% B6r_PM & hash = item1c14b86d84
So, and now my question: Skin so go? It would be no three-point light, but a beginning and I really want to take a quick first for little money.
I will use the entire stage for Film with 550D.
What do you think?
Again clear: I know that this is actually not even ne stopgap, but the money just dictated.
So gross ... if for Construction from the EBay auction actually have 6400 Kelvin, I would invest a little money in CTO films ...
... Note, however, that some energy saving light bulbs not only "separate bitter cold light" but still synonymous can have a color (pink or green - as it meets one).
Antwort von Axel:
Well, as a brightener for real daylight saving, I would not take that gives 100% a stab. One must be of course the fact that the spectrum right, avoid mixing light (window cover up with Molton, but makeshift softbox positioned "as a" window) and a make White Balance (the 7D a little complicated, is not different for the 550D, but essential). What you can then have? A more manageable ground light.
No question that a of the contents of one or two light cars on a 63-amp distribution lavishly illuminated set makes more fun (in the first few minutes, glow to the cheeks). First, the typical user-550D is rare in this situation, secondly, I think that for unprejudiced view the easy-to low light in combination with a händelnde bright Optics has more potential. Let them go professional lighting s.die ceiling, I'm no preference. With DSLR is still little film about pumping more lumens in the room, most situations "enough" to light. And these sets have already found them for a typical atmosphere, the form must be only in his own way.
