Frage von fresh_hotboy:
Hi together,
here cavort so many enthusiastic amateur and professional filmmakers around, I will certainly answer to my questions.
We have to s.and, despite a white balance for different cameras (XL2, FX1) is still the Farbbroblem. Has anyone of you a solution to the problem as we get to grips with and could be in for a live recording (ie nix mitm edit s.Calculator - at great expense!)?
Have already Color correction devices, "gegoogelt" but nothing found so useful. Either I have the wrong descriptor is used or not long enough progress.
> A video mixer, we have already, I thought since s.ein extra device.
In addition, I would be interested to know how to get at a live recording of an ordinary white balance makes?
I collect all the cameras and go with this on stage or do I use the White Balance of the respective location of sounds :-) `wizig '.
About serious answers I would be delighted.
Przemek
Antwort von mixmax:
In addition, I would be interested to know how to get at a live recording of an ordinary white balance makes?
I collect all the cameras and go with this on stage or do I use the White Balance of the respective location of sounds :-) `wizig '.
Yes.
OKB For all cameras on the studio stage mileage. There is a white sheet of paper on a music stand and put all the cameras zoom formatfüllend daruf. Then the White Balance made.
There is live mixer, for each input once again allow various corrections. (My JVC may eg brightness). Perhaps your the synonymous. Otherwise, if it is not directly s.den cameras-how, perhaps an external effects unit. Possibly. can a Panasonic WJ-mixer or something AVE3 Video Corrector JVC JX-C7 with various security TBCs.
Antwort von K.-D. Schmidt:
Since it is a live recording is, you can run the recorded material synonymous s.Computer editing. In a live broadcast would be using this computer already considerably more difficult.
KDS
Antwort von mdb:
In addition, I would be interested to know how to get at a live recording of an ordinary white balance makes?
I collect all the cameras and go with this on stage or do I use the White Balance of the respective location of sounds :-) `wizig '.
All cameras are of their location in the same test table addressed. Then a black-and white balance to be made and then the cameras from the picture Ingenieurgesellschaft matched by hand so that they fit together. But he has a class-1-Monitor and the corresponding remote s.denen it ideally Aperture, black level in RGB and black, in gray and white in the situation.
Antwort von pat16:
Hello!
Exactly, a white area under the lighting used in the recording herscht for manual adjustment Aller Kamras use. That's true then quite good.
It is important however to know that cameras of different manufacturer often adjusted significantly different color, which is thus synonymous may not align.
A super-unit for this purpose is the XVC-900 of Sony, the real-time color correction in bright and dark areas even separately controlled. One can thus the red-chwarz increase in value and simultaneously in the bright areas - ie in the lower white as green.
The device is a legend and how it is to live in forever, but who wants to get one, we must stop and search while on eBay.
Regards
Pat
Antwort von mdb:
It is important however to know that cameras of different manufacturer often adjusted significantly different color, which is thus synonymous may not align. Manufacturer of different cameras to try to adapt is something for advanced
Antwort von Markus:
We have to s.and, despite a white balance for different cameras (XL2, FX1) is still the Farbbroblem. This could minimize your clear, if only cameras from the same manufacturer were used. Because it often enough, the same fixed value to take.
