Infoseite // Making of 25P in turn?



Frage von David:


Hello!

I do a making of of the series "The juvenile court." Tomorrow is the first shooting and I stand just before the question on whether I should shoot 25P or not.

One of my professors says: Why not?
The other says: If the movies in the running or what? On the television it looks worse with 25P.

What should I set up because now?

4:3 or 16:9? Must be genuine excerpts from the series include. 16:9 falls so flat, right? Moreover, the primary target group classes, the studio audience will be invited.

Space


Antwort von Dongball:

You ask yourself as an important issue one days before the first shooting?

Basically everything you can to 25p and / or 16:9 / 4:3 twist, but ultimately you're alone, that of knowing can or should be.

You've got the Project certainly planned, because then you should question your eingentlich fairly easily beat words.
I hope you make something not blind to the grade probably ... ;)

Space


Antwort von BuddyLove:

clear planning technically habne we done good.
However, I have this really point out my thoughts on it are not used drüber upon ..... and clear evidence do I get through my profs are not synonymous.

Space


Antwort von Markus:

"David" wrote: [turn on 25p] One of my professors says: Why not?
The other says: If the movies in the running or what? On the television it looks worse with 25P.

That speaks for itself and you can get the question easily answered. Do you have video monitors in the studio or cinema screens? ;-)

"David" wrote: 4:3 or 16:9? Must be genuine excerpts from the series include.
In what formats the series has been rotated? That I would the format of the Making-Of ajar. Otherwise, you have to make adjustments after what s.der image consumes.

Space


Antwort von r.p. television:

I hope you are not on a film school, because it does not sound as if your there in the meantime, a lot - at least on the technical - have learned.

In addition, you answer all your questions themselves
I think not the making of a reality docu-soap on RTL (?) Runs in the movies coming. If 25p on Television looks worse, then I would let it remain synonymous. Especially as 25p on most camcorders is a dummy package anyway.
Also, it seems not so great in a 16:9 Project 4:3 video content involved - conversely, it is letterboxed with something simpler.

So, 50i, 4:3

Space


Antwort von BuddyLove:

Study of media design ...
this semester is under the heading VIDEO ...
Unfortunately isses so that theory and projects run absolutely parallel to each other.

what irritates me is that the series on the juvenile synonymous with DV 25P rotating (and yes synonymous in the tv broadcast is ....). so my question ....

Space


Antwort von Jan:

Probably the most important question is probably what your camcorder is available?

VG
Jan

Space


Antwort von Cutter_:

* fade in *

16:9; 50p

* fade out *

Space


Antwort von jojo:

I would simply use the same settings as the actual production is synonymous.
So if you say the progressive turn, this will already have a reason and I would associate myself with.
And then of course, synonymous in 4:3, because if I'm not pretending everything is the series broadcast in 4:3.

Gruß,
Jojo

Space



Space


Antwort von wolfgang:

At 25p I would only shoot if I consciously, deliberately and as a stylistic means bucking the light of the material wants. Otherwise rather 50i.

Space


Antwort von Uwe:

This slight "bucking" is actually taken at 25p. But it is so minimal that it really only aware of true connoisseurs used.

Progressive in 25p film is a stylistic device, as already mentioned of Wolfgang. I personally movies have long been only 25p + think it is great. Particularly in the post anyway with many progressive things necessary or material is more suitable (Rotate, Move, slomo, effects, compositing, rotoscoping ...).

Slightly flat + flat rate, one can say => 25p is something surreal, dream-kinomäßig ... The viewer takes it, if he does not synonymous of filmmaking goes, in the subconscious as a not so related to real.

50i has a smoother + so realistic effect. So a documentary I would not with 25p rotate, because they unconsciously the viewer is not so realistic ... would absorb

Space


Antwort von David:

Thanks for your reply.

I've decided to 50i, 4:3 to rotate.

Space





slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash