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Richtige Mikrofinierung für eine Audio-Slideshow?

Mikrofinierung right for an audio slideshow?



Frage von Jenne_1977:
Februar 2012

Hi all, \u003cbr /\u003e\u003cbr /\u003e I am facing the challenge of an audio-slideshow realize and have thus made anything like it. The concept is just as the photographer. The post production I would either with or soundslides.com with Adobe Premiere CS4 implement. \u003cbr /\u003e\u003cbr /\u003e What will it do? \u003cbr /\u003e I attend a business (workshop) and will be there to speak with a local specialist for occupational safety and a trainee and accompany them for a day. So I want to capture relevant O-tones and simultaneously represent the atmosphere in the workshop. What is clear is that do I need at least two different types of micro-and additional sound equipment. \u003cbr /\u003e\u003cbr /\u003e But what would be suitable for a.besten? \u003cbr /\u003e\u003cbr /\u003e - A dynamic microphone (? Radio-Micro) for the o-tones? \u003cbr /\u003e - A



Antwort von carstenkurz:

I would take an audio recorder, the record may be additional to the built-in mic or external parallel, which can presently a lot of the devices 200-400 Euro class, for example, the widespread synonymous Zoom H4n. \u003cbr /\u003e\u003cbr /\u003e\u003cbr /\u003e Language would then take up with a dynamic micro - that suppresses the Umgebungsgeraeusche. The atmosphere then just with the built-in stereo microphones. Later you can adjust the in the post as desired. \u003cbr /\u003e\u003cbr /\u003e\u003cbr /\u003e Such recording scenarios, however, require some training in the handling of the devices, which you should prepare thoroughly. \u003cbr /\u003e\u003cbr /\u003e From handling ago could be the recorder mounted on a monopod and take the dynamic microphone in the other hand, or if you have to be not quite as agile, a tripod. \u003cbr /\u003e\u003cbr /\u003e The A



Antwort von marwie:

So I see this correctly, you want to capture only the tone and not film? \u003cbr /\u003e\u003cbr /\u003e For that I would take a tape recorder (in the class of a zoom H4N with Integrated Mic) with a dynamic handheld microphone (Sennheiser MD zb 46) and for the atmosphere I would take the microphone of the recorder. (Zoom in H4N both go at once, but I would take the separately one by one). \u003cbr /\u003e\u003cbr /\u003e If the person during the work would you like to say something, I would rather take the one hand lapel microphone with Spark Gap (A.The Sennheiser ew 100 G3 series, which Ansteckmics from the set, however, are not as good as I would fall into a class higher ). \u003cbr /\u003e\u003cbr /\u003e If this is a one time thing, I would borrow the equipment of course. \u003cbr /\u003e\u003cbr /\u003e Optimally, of course, you have someone with a








Antwort von carstenkurz:

By the way - you realize that the photographer will produce plenty of noise with almost certainly (Kameraausloesungen)? Depending on the purpose of recording it might actually be useful to either the breast with a really quiet camera works, or if it is only produced for the web, using more of an HD video camera. \u003cbr /\u003e\u003cbr /\u003e In parallel work without planning and discipline very softly on the other audio recordings be ruined by constant snapping. \u003cbr /\u003e\u003cbr /\u003e - Carsten




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