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Keine Bandgeräusche dank extermem Mikrofon

No band sounds thanks extermem Microphone



Frage von Yheeky:
Februar 2009

Hi,

it has already been discussed often and thanks to the previous thread, I came synonymous to the two microphones' VideoMic Rode "and the" Sennheiser MKE 400. Did I test videos with the two microphones, viewed or listened, but both take some noise with the band at:

Rode VideoMic: http://vimeo.com/1554766
Sennheiser MKE 400: http://vimeo.com/2788280

Is there perhaps another recommendation for the HV 20, which is priced in the low-budget staying?

Regards,
Yheeky



Antwort von beiti:

As long as you have connected the microphone directly to the camera stuck, there will always be in quiet passages of a little band noise record. The various rubber-bearing shield while sound from the body, but not the airborne sound. So if you are from 15 cm distance with the naked ear, the camera still hear noise, like a distant Micro is synonymous record.

Since there are only two possibilities:
1) be more tolerant. The external microphone is in any case less noise than the integrated Micro. With a little tape noise can live and s.einem some noise in the room hears it is not always more. In a very quiet room it helps auszupegeln manual and not as high as the automatic aufzudrehen would.
2) Microphone in sufficient distance to operate. Is cumbersome and not implemented in every situation, but helps ensure 100-percent.



Antwort von domain:

Under what circumstances do you listen to because these noises?
I think with the Headphones you can hear really too much, but it is a significantly later playback reality corresponding situation.
I have already written that the ear digital works. For each frequency and for each volume has its own receptors and which can consistently strong electrical signals either fire or not.
Firing all together, then the noise in the brain interprets as loud, just cheer Sensi Belchen, it's just a quieter sound.
However, if the sensors synonymous get too little noise, then the sound or the sound suddenly silent.
And just that is what counts. You will no micro, no electronics and no mechanics, which are not noise or other noise producing.
Only it must be in the video so quietly, that it is at a similar distance from the speakers no longer responsible, or may be so loud that it is separated from the main signal is completely overpowers.








Antwort von shipoffools:

"Yheeky" wrote:
... Is there perhaps another recommendation for the HV 20, which is priced in the low-budget staying?
...


As mentioned above, one is if you have a microphone directly to the runs, the drive always with sound recording and in the HV20/30 anyway. I have the problem a little "limited" by my Micro with a swan neck and a flash shoe adapter with 3 / 8 "thread of around 23 cm above the position had. This is the drive noise is not synonymous for a long time away, but at least slightly reduced. The whole construction is handling for the eye and a bit and only synonymous with the tripod on a really impractical, but the end justifies the means you know ...

The used parts are:
The Beyerdynamic MCE 72 CAM
a "Shock Proof Holder" Beyerdynamic EA 86 (this is the Micro, but synonymous optional. ... but can be synonymous with a spider or other holder, the kick-and structure-borne sound and sensible suppressed over a 3 / 8 "female thread has replaced.)
a swan-necked K & M 226 with 20 cm length and a
Hot shoe adapter Beyerdynamic 86th BS A slightly longer cable was the Beyerdynamic MCE 72 for course synonymous necessary.
Cost for hot shoe adapter, and micro swan neck bracket are in the above combination at about 44 euro's if you buy individually, but synonymous cheaper.
As a low-budget micro to maybe something like AUDIO TECHNICA ATR55 (as one could possibly even save the micro-holder, s.die EA 86 is they do not heranreichen) or one of the T.bone-directional microphones. If it's a bit more expensive but may, for example, Rode NTG-2 or the above Beyerdynamic MCE 72 CAM. Kommt drauf See above course 's stereo or mono to be. (If the supports of the VideoMic Rode or Sennheiser MKE 400 on 3 / 8 "threads that go the course synonymous.)

Greeting
shipoffools



Antwort von Jitter:

beiti has hundertprotzentig law. It only helps distance to drive. With sound, the body's nothing to be done. A long shotgun as the MCE 86 is therefore already of advantage, because the microphone capsule in the next Aufsteckbetrieb away. Shorter Mikros can flash with a moving rail, when a fortress not far from the question. The Microphone will move forward after night my experience more than it is higher (with an intermediate piece) to place.



Antwort von Yheeky:

Okay, so yes, it s.sich only on the distance to the camera on. Then would be my choice, I think the Rode Videomic (mono), and because the sound of her very beautiful sounds. Is synonymous in my price range.
I have times of a "trick" is, then, if the Micro upside down on the bracket is, the distance to the camera will be even bigger and thus the band noise can be almost hidden. Kann mir da jemand concrete to say?

Thank you in advance for your response!




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