Logo Logo
/// 
Schlechte Farbwiedergabe bei Sonnenlicht HDR-HC7 u. Panasonic GS500

Poor Color performancebei sunlight HDR-HC7 and Panasonic GS500



Frage von xnetworker:
März 2007

I'm looking for a MiniDV cam Domi for our next vacation. I have ordered 2 Favorites grad and you tested. Following models: SonyHC7 and of the Panasonic GS500
I have a few test shots s.einem sunny day and Wohungsaufnahmen made. When I viewed the pictures s.Television I've noticed that in both a very bad color performancebei solar radiation was shown. How can this be?



Antwort von Markus:

"xnetworker" wrote:
When I viewed the pictures s.Television I've noticed that in both a very bad color performancebei solar radiation was shown. How can this be?

Both camcorders will be there in the sunshine too bright one. The images are overexposed and relatively colorless.

Set the next time a Graufilter, then the images are as they should be.

Learn More:
Which filter for what?



Antwort von xnetworker:

Thanks for your answer.
How can I use this filter? It creates the automatic camera is not alone?








Antwort von Markus:

"xnetworker" wrote:
How can I use this filter?

If a camcorder a switchable ND filter, it is the s.einem the switch directly s.Gerät and synonymous in the manual. Look up! - Otherwise, you can screw or Cokinfilter put in front of the lens.

"xnetworker" wrote:
It creates the automatic camera is not alone?

The auto has a specific area within an existing light situation may be offset. We are too dark or too bright, then it results in bad shots.

The aperture can only be up to a point close before it is let alone. If this point is reached, only the use of a pair of sunglasses for the camcorder.



Antwort von Blackeagle123:

Hello,

we assume s.ich have my Aperture summarizes completely closed, the picture is good gearade set.
Then do I have a ND filter in front of the camera and have the option of Aperture to open next.

Among other "effects" in depth, the more synonymous influence on the digital chip, brilliant colors that can be represented, or should, in both cases the same picture look good?

Many greetings,
Constantin



Antwort von Markus:

"Constantin" wrote:
... we assume s.ich have my Aperture summarizes completely closed, the picture is good gearade set.

The optimal working aperture is not a stage in front of "quite". Since nothing can be more easily regulated and with a little more light on it immediately or over-exposure it needs with the exposure time (the one with average recording situations do not change should) be adjusted.

For this reason you have a ND filter, the aperture back into a good midfield moves, so they top and bottom equally after may regulate.



Antwort von Bruno Peter:

Maybe they are the telephoto shots in the distance haze "abgesoffen" ...
Another test in similar conditions with a polarizer or manual exposure darker place for good tele ...



Antwort von usul:

"xnetworker" wrote:
When I viewed the pictures s.Television I've noticed that in both a very bad color performancebei solar radiation was shown. How can this be?


Simply set an example picture, then you need not guess as long.



Antwort von Markus:

"Bruno Peter" wrote:
Another test in similar conditions with a polarizer to make ...

Good idea. It could be synonymous s.störenden reflections located, that the color performance was not optimal.

"usul" wrote:
Simply set an example picture, then you need not guess as long.

Another good idea. ;-)

"xnetworker" wrote:
... very bad color performancebei sunlight ...

If the real problem with the above tips should already have done, would be a nice feedback. This would be synonymous Videofilmen help others who with the same concerns this discussion can be found.




Antworten zu ähnlichen Fragen:
Panasonic NV-GS500 versus NV-GS400
Panasonic: Neuer organischer Sensor kann HDR mit Global Shutter
Format-agnostische HDR-Blu-ray-Player von Sony und Panasonic
Panasonic EVA1 5,7K RAW mit dem Blackmagic Video Assist 12G HDR
Panasonic Lumix S1: 4K 10-bit 422 HDR/HLG-Aufnahme ab Start mit Atomos Ninja V und Inferno
Blackmagic RAW für Nikon Z6 II und Panasonic S1H mit dem Video Assist 12G HDR
Gigabyte AERO 17 HDR - Flaches 17-Zoll Notebook mit 4K-HDR-Display
Messevideo: Atomos SUMO19 M - HDR Monitor u. neue HDR-Firmware für Shogun Inferno
AJA: neues Ki Pro Spitzenmodell und HDR/Log Echtzeit-Konvertierung per FS-HDR // NAB 2017
YT HDR ohne HDR Monitor?
The Color of Film
False Color genormt?
Color Management in Resolve
Nobe Color Remap
color-grading so hinbekommen?
LED-Leuchten Color Shift
Color matching aber wie?
Shortcut für clip color
Frage zu YRGB Color Managed
Saturation & Color Boost
- Der Color Grading Thread -
Color Grading GH5 Cine D
Resolve schlechte Vorschauqualität unter "Color"
Help - Color Grading reagiert nicht - Resolve 16
Macht x.v.Color in 10Bit Umgebung Sinn?
suche Coloristen / Farbkorrektur/ Color Grading

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
KI
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos