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Professionelle Postproduktions Formate für reibungslosen Workflow

Professional post-production format for smooth workflow



Frage von bennik88:
Februar 2012

Hey, \u003cbr /\u003e\u003cbr /\u003e with what codec is it to work in a professional a.Sinnvollesten postpro? \u003cbr /\u003e Programs are used. \u003cbr /\u003e\u003cbr /\u003e Premiere CS5 / CS5.5 \u003cbr /\u003e Final Cut \u003cbr /\u003e PFTrack \u003cbr /\u003e After Effects CS5 / CS5.5 \u003cbr /\u003e Nuke \u003cbr /\u003e Cinema 4D \u003cbr /\u003e Maya 2012 \u003cbr /\u003e 3DsMax 2011 \u003cbr /\u003e DaVinci Resolve \u003cbr /\u003e\u003cbr /\u003e Since it took us a few times in the workflow already made when finalizing the program and transfer problems, that stock footage and even recorded files were mixed and noeinheitlichen format were used, here now the Question what codec or format could you recommend me to the workflow. I would be glad to get through in-depth answers about. \u003cbr /\u003e Before and disadvantages of linear workflow. \u003cbr /\u003e It works on Mac and Windows computers, for example, here are two: \u003cbr /\u003e\u003cbr /\u003e Dell \u003cbr /\u003e Win7 64x \u003cbr /\u003e 24Gb



Antwort von Jott:

"Most will be on Epic RedOne or twisted" \u003cbr /\u003e\u003cbr /\u003e Ah, the major leagues. And ProRes or DNxHD not tell you anything?



Antwort von handiro:

and why is not it the http://www.red.com/store/red-rocket \u003cbr /\u003e\u003cbr /\u003e used?









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