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Kurse des Kölner Filmhauses

Quotes of the Cologne Film House



Frage von Kölner Filmhaus:
März 2009

Final Cut Pro - I & II
Conductor: Christian Rall

Event no.: 09-01-12
Dates: 05.-07. June 2009
Duration: 2 +1 days
Participation fee: 260 & 140 ¬, all 3 days 380 ¬

It is requested, the application is a short biography attached.
Bildungsurlaub possible.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de
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Final Cut Pro - Introduction

Within the seminar, an extensive insight into Apple's professional software will be.

In practical exercises, participants will have the opportunity to use the digital process with Final Cut Pro 6 to learn.

Contents include:

* Digital video technology
* Project organization
* Import of raw materials
* Coarse and fine
* Trim
* Transitions
* And Effects
* Compositing
* Title Design
* Audio Editing
* Issue of the finished film

After the seminar, each participant will be able to own video projects to cut.
Final Cut Pro - Studio

On one additional day is then received on the creation of projects with other programs such as Soundtrack, Motion and DVD Studio Pro and its integration into Final Cut.

For the seminar is the latest Intel-based Macs are available.

Christian Rall is a graduate engineer for audiovisual media. He works as a freelance media engineer, editor and trainer for Final Cut Pro



Antwort von Kölner Filmhaus:

Avid Media Coposer I + II
Chair: Rudi Heinen

Avid Media Composer I
Event no.: 09-01-10A
Dates: 03.-05. April 2009
Duration: 3 days
Participation fee: 540 ¬
Bildungsurlaub possible

Avid Media Composer II
Event no.: 09-01-10B
Date: 24-26 April 2009
Duration: 3 days
Participation fee: 540 ¬
Bildungsurlaub possible
Zellfix
The two modules I & II Avid synonymous can be booked as a block. The participation fee is
then ¬ 1,000.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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The Avid Media Composer is still the standard for professional digital editing. This seminar is aimed s.alle who are interested in the intersection of Avid imbalances. It relies on an intensive, practice-oriented training s.der concept that the participants technical and artistic insights taught. A primary objective is the immediate availability of the information.

Topics:

* Surface
* Basic editing techniques
* Cut in trim mode
* Audio Editing (premixing, mixing)
* Effects (visors, Slowmotion ,...)
* Text Tool
* Invite, off
* Cut Output List

Prerequisite: Basic s.Computer

The participants then have the opportunity s.den course, the Avid 6 hours each to exercise purposes (or evening s.Wochenende).

The AVID Media Composer II provides all the normal editing functions also have far-reaching possibilities of the picture and sound.

It covers the knowledge of the functions and cut deeper than synonymous image effects such as keys, the creation of masks and the color correction explains.

The course also offers the opportunity to express questions of students or on behalf of current workflows, or to discuss planned projects. This includes synonymous processing of high-definition formats in film and television productions, more and more used.

To be responsive to the issues and problems to be, it would be helpful if the student wishes of their topics in advance notice.

Prerequisite: basic knowledge of the Media Composer or Avid Express.



Rudi Heinen is a freelance editor for film and multimedia productions. As a short film producer, he got to 13, require the production LUNA Award
of North Rhine-Westphalia, for TWO DAYS GRAU the Friedrich Wilhelm Murnau price. His recent productions as Cutter had usDAS LAMPS OF THE STARS, TV, broadcast on ARD and SIDE, a two under the TV Directing of Adolf Winkelmann, uswith the Bambi awards, the Golden Camera and the German Television Award. He currently works s.einer installation on the occasion of the Ruhr in 2010 in the former Dortmund Union brewery is set up.



Antwort von Kölner Filmhaus:

Intersection design
Conductor: Andreas Hemmers

Event no.: 09-01-11
Dates: 09.-10. May 2009
Duration: 2 Days
Participation fee: 220 ¬
Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de
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In concentrated form s.nur two weekends days schnürt Andreas Hemmers the film to a manageable design "package" together. From Kadrierung and the screen layout on aesthetic forces as Eyemovement, Toneinsatz and Music in the film, he creates the circular envelope of the image design and assembly. The extensive script, participants can follow s.das seminar as a reference work to use.

The assembly does not cut alone, but this is about the visual and psychological implementation of the content. A seminar is ideal for editors, directors, production staff, playwrights and for all, to gain an overview of film montage wish.

Topics:

* Brief History of the film and the assembly
* Image design
* Forces in the Picture, Eyemovement
* Assembly forms
* Rhythm
* Use of sound
* Stilbildendende elements

O shades of students: "I have learned two days longer than in my studies." - "The best presentation of the topic that I have ever seen." - "Very dense seminar." - "I had no breaks s.liebsten done." - "Super practical terms, I can immediately apply much."



Andreas inhibitor than Cutter, trainer and consultant working with the WDR, Lecturer s.der ard-zdf-media academy. Since 1996, it offers production advice for various television programs and projects of the WDR s.and is planning new s.der Editing Suites participates. His productions include the TV series, short films, feature, documentary and music productions (classical and video clips), entertainment, advertising, promotional trailers and Vorspänne.





Antwort von Kölner Filmhaus:

Film & TV rights for media professionals
Lead: Helge Rust

Event no.: 09-01-23
Date: 20 Juni2009
Duration: 1 day
Participation fee: 120 ¬

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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In recent years it has become increasingly important to the legal conditions with the film and television production to be tackled. Often people have only production companies of insufficient knowledge about legal aspects of their work. This seminar aims to offset existing deficits and provides an extensive insight into the legal film and television production in the areas of intellectual property, labor and contract law.

The seminar is suitable for both producers, writers, directors and other media professionals. The participants at the seminar will receive an extensive compendium with materials and contract templates.

Topics:

* Introduction to the Labor and Social
* Employment Law, Safety, tariff law
* Children and youth protection
* Copyright, licenses, collecting societies, rights of personality
* Product Placement
* Law and order environment

Your instructor

Helge Rust, a lawyer since 1986, specializing in labor law, s.Kölner site is partner of the law firm supra RATAJCZAK & PARTNERS (www.rpmed.de). The firm has relied on the advice of health care and media industries specializing. Helge Rust operated on the specialist areas of work and law, medicine, law, copyright and licensing law. For over 15 years he spoke and published relating to employment law, copyright and optimization of service and work performance in organizations.



Antwort von Kölner Filmhaus:

Subject: Documentary Film at the Cologne home



Documentary Film at the Cologne home
Ladies and Gentlemen, Dear Friends-movie house,

p.12. March starts our documentary film workshop at Ulrike Franke and Michael Loeken. In the 4-day seminar is to use a concrete example, the production of a documentary film step by step through each and the aesthetic and production decisions are made understandable. In addition to the lecture will be practical exercises the participants in the field of documentary production available. The rich content of research, Exposé Erstallung, financed through revolving preparation, assembly, clarifying rights to marketing.

Later in the year we will offer a 4-day continuation seminar II documentary to which a maximum of eight participants in the development of concrete projects of documentary Ulrike Franke and Michael Loeken accompanied. Projects may be in different stages of development. Together with the participants, we will draw up an inventory. Here we go to look for strengths and weaknesses of the substance, to explore whether it adequately investigated and prepared, and what tasks still need to be addressed to ensure a successful project to realize. The exact date will be announced.

The third course in this block, we offer a seminar on documentary film in the camera work from the 24-26 April at Volker Noack at. This is specifically about the Camera tool in the documentary field. Questions on lighting, projection planes, recording formats, sound composition and synonymous of a good team will be discussed here.

Sign up now!

Also this year the state of NRW promotes education with 50% of participation fee denBildungsscheck NRW. Information is available at www.bildungsscheck.nrw.de.

Other financing options, such as the employment agency, you can call us with will be discussed.

Learn more about these workshops or other continuing education offerings, see www.koeln-filmhaus.de.

From April it will be synonymous in the movie house movies regularly on the subject of documentary shoot. In collaboration with the Universities of Cologne, a documentary film series on the 20th Start century. More information can also be found on our homepage.

With best regards,

your movie house team

ooo

Cologne Film House Association

Maybachstr. 111

50670 Cologne

Tel: 0221-22271052

Fax: 0221-22271099

Mail: seminare@koelner-filmhaus.de



Antwort von Kölner Filmhaus:

The editorial - "With Argus eyes on the substance compatriots!"
Lead: Christine Diersing

Event no.: 09-01-14
Date: 14-15 March 2009
Duration: 2 Days
Participation fee: 190 ¬

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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The Tutor is a major donor in the direction of professional development material. His advice and suggestions fabric filter designate strengths and weaknesses of a substance. He is called the first "audience" of a film and may be placed in its objective of analysis is not guided by their own preferences. The seminar is aimed s.alle in the field of material development work in this area and want to optimize, ie editors, playwrights, authors, editors and producers. Even beginners with dramaturgical knowledge are welcome.

* What is the best Lektorat from (from the outer structure to the evaluation criteria)?
* What dramaturgical tools the author has mastered?
* What expectations do the contracting authority?
* What is a novel adaptation to be observed in contrast to the script or synopsis?
* What can the Lektorat not cover in-depth Comparison of screenplay analysis?

Participants will receive pre-textual material, which in the course of the seminar will be proofreading.

The playwright and author Christine Diersing has been working for many years as a freelance editor and as a script consultant (usfür CLT-UFA International in Luxembourg and Network Movie) and was synonymous as an editor working for various formats (SWR in Baden-Baden and film pool).



Antwort von Kölner Filmhaus:

Fiction writing
Leader: Ron Kellermann

Event no.: 09-01-15
Date: 18-19 April 2009
Duration: 2 Days
Participation fee: 200 ¬

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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Before the script is the story. Is it bad, the script can not be good. Writing fiction is an introductory seminar in the art of the developing story. It is not a specific scene screenplay techniques such as dramaturgy or dialogues, but the drama of developing a story, then in a script to be told.

The basis of the three fields of drama - the importance, character and structure - methods and tools for developing the topic and the relevance of a story, to develop a fictional character and the structure of a story and discussed in plenary creative work deepened. On the basis of a given idea to develop the participants in group work, step by step the basic framework of a functioning dramaturgically history. In addition, the subjects of organization of the writing life, writing techniques, content and formal elements of exposés and creativity techniques.

The seminar is based on Ron's Basement Book fictional letters - inventing stories, writing improve, enhance creativity.

Ron Kellermann, born 1968, author, playwright and lecturer in dramaturgy and script USIM Cologne Film House, in the camp of the screenplay ARD.ZDF Media Academy, s.der Macromedia Academy of Media and Communication and s.der University of Mannheim. Author of the textbook writing fiction - stories like that, writing improve, enhance creativity (published in Emons Verlag, Cologne, 2006).



Antwort von Kölner Filmhaus:

Author camp
From idea to story - five Intensive Workshop Author (Bergisches in the country)
Leader: Ron Kellermann

Event no.: 09-01-16
Dates: 09.-14. June 2009
Duration: 5.5 days
Participation fee: 690 ¬
Bildungsurlaub possible

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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Five days in the idyllic seclusion of the natural parks Bergisches country. Five days of intensive Kreativsein and writing. In the interplay between the theoretical mediation dramaturgical tools and author of specific methods of work, individual and group work as well as write phases and plenary discussions, the participants methodically develop their idea into a mature dramatic story in the form of a first Exposérohentwurfs.

First, we examine the idea to create a clear awareness - a "vision" - which to create what will be told: What is the core of the idea? What is its central conflict? Which issue is its basis? What is the writer / author on this subject? The basis of the obtained in this way, practical presentation of the narrative ends with the characters of the characters, theme, message and value of history as well as their structural building developed.

The participants run this again and again back to individual work in their ideas through writing and noted the dramatic short forms Logline Synopsis and to formulate and in team work through the creative and critical feedback of the team members develop their story. At the end, the participants bring their story in the form of a first Exposérohentwurfs to paper.

A positive side effect five days of intense collaboration aims to build a network of its author, whose members are in the development of their material on the workshop also mutually supportive.

The price includes five nights. The food the participants organize themselves
To set a maximum to allow for efficient work, the number of participants is limited to eight.

Participation Requirements:

* An idea that in the five days to a functioning dramaturgically history to be developed.

Application documents:

* Ideenskizze (maximum one page)
* Vita

Please send your application by email until 25 April 2009 to:
seminare@koelner-filmhaus.de

Ron Kellermann, born 1968, author, playwright and lecturer in dramaturgy and script USIM Cologne Film House, in the camp of the screenplay ARD.ZDF Media Academy, s.der Macromedia Academy of Media and Communication and s.der University of Mannheim. Author of the textbook writing fiction - stories like that, writing improve, enhance creativity (published in Emons Verlag, Cologne, 2006).



Antwort von Kölner Filmhaus:

Scene
Conductor: Pierre Pfundt

Event no.: 09-01-25
Date: 28-29 March 2009
Duration: 2 Days
Participation fee: 250 ¬
It is requested, the application is a short biography attached.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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For each film project includes a facilities department, with the scene image, external props, props and interiors Baubühne their decorations and implement plans.

Based on a screenplay excerpt, we will post the various phases of the shooting to know (costing / rotary preparation / work planning / implementation).

Nowadays, these things s.effektivsten implemented with the computer. Contemporary scene often works with CAD (Computer Aided Design). We learn a very simple 3 D program know, with the spaces we can realistically imitating. The program allows us to be in the spaces to move, different camera angles to review and then to plan in advance.

Prävisualisierung These can then be very simple, synonymous over the Internet, with Directing and Camera communicated.

In this course we construct a complete set and make us with the latest technologies of today, familiar.

Pfundt Pierre has been working for 10 years as Szenenbildner in the TV movie and television acting in the field - and abroad usfür following productions: storm surge (RTL), DREDEN (ZDF), SHANGHAI BABY (Movies), BAREFOOT UNTIL HALS (Sat 1), the master ( ZDF), EMMA (ZDF) 18 Eighteen (Pro 7), SEASON (ARD), MOTOWN (Movies) Cobra 11 (RTL) THE CLOWN (RTL).



Antwort von Kölner Filmhaus:

Lighting design in TV and cinema area
Conductor: Klaus Grube Venn

Event no.: 09-01-03
Dates: 02.-03. May 2009
Duration: 2 Days
Participation fee: 250 ¬
It is requested, the application is a short biography attached.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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Lighting on Location

Workshop with "mine" Venn
for lighting design s.Drehort

" The place: the grounds and rooms CAMCAR Company
" Exercises: Practical exercises with all the available lamps of 1-18.000 watts.

"A Lamp - a shade, two light bulbs - two shadows."
Shadow-free lighting could be a challenge.

"Less is more."
With limited resources the best results.

" Objective:

The aim of the workshop is to provide exercises to experience the technical problems "on location" with the artistic demands of the image design to combine and thus in practice to achieve better results.

" Target group:

Young, engaged BeleuchterInnen camera and Young Men / women. So young film-makers, an opportunity to try out new ideas and to implement.

It can film scenes from selected examples in order to threaten or alternatively they represent:

" Project examples:

STRAIJK | Camera: A. Höfer | Movies
Gloomy Sunday | Camera: E. Klosinski | Movies
HOW WE MEN | Camera: H. Lentz | Movies
FICKENDE FISH | Camera A. Höfer | Movies

Bring lots of ideas with!

Motto: Time is life! Fun at work!





Klaus Grube Venn has been 20 years in many movies and television productions as Gaffer worked. He was a guest lecturer in lighting design s.der University of Dortmund, 1996-1999. Projects: THE GIRL AND THE BULL, Gloomy Sunday, MEN HOW WE, FICKENDE FISH, THE PEST, crime scenes, Schimanski.



Antwort von Kölner Filmhaus:

Women behind the Camera
Lead: Kathinka Minthe

Event no.: 09-01-04
Date: 21-24 May 2009
Duration: 4 Days
Participation fee: 300 ¬
It is requested, the application is a short biography attached.
Bildungsurlaub possible.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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The highly practical course provides an introduction to the camera work. Besides the technical aspect, the lecturer Kathinka Minthe suggestions for creative image design, preparation and insight into the implementation of cinematic approaches and is synonymous with interpersonal issues such as managing a team and s.Set conflict.

Associated practical exercises include useinen scenic filming on video, as well as exposure exercises on 16mm.

Topics:

* Resolution
* Lenses
* Lighting Design
* Training with Camera
and lighting equipment
* Design and rotary
a movie scene
* Introduction to 16mm





Kathinka Minthe studied s.der Camera Baden Württemberg Film Academy and received a scholarship from the DAAD for the Simon Fraser University in Bunaby, Canada. She has worked since 2002 as a free-lance camera woman and won two of their shorts for a camera prize. Since 2003, she holds regular seminars in camera work and lighting USSD Academy of Film and Television Konrad Wolf in Potsdam, the London Film Academy and the SK-Youth Foundation and the Media in Cologne.



Antwort von Kölner Filmhaus:

Steadicam (in Tuscany)
Conductor: Andreas Küster

Event no.: 09-01-05
Date: 29 May-2. June 2009
Duration: 5 Days
Participation fee: 1,500 ¬
including accommodation with half board
It is requested, the application is a short biography attached.
Bildungsurlaub possible.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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This 5-day workshop in Tuscany is s.Kameraleute and wizards, the proper handling of camera stabilization systems in its normal scope of practice would like to receive. It is a knowledge-intensive basis of numerous practical exercises in relation to technology and handling equipment, as well as content and dramatic aspects.

The aim of this workshop is the mediation of basic operating techniques of camera-stabilization systems. Here are their principle related handling and functional aspects of the main content of this course. This allows the participants a subsequent independent practice to adapt to the demanding work of the Steadicam Operating prepare. Furthermore, artistic and creative aspects of this type of camera work in order to later synonymous in this field sovereignty of their own self-image view to be able to develop.





Andreas Küster is a long time cameraman and Steadicam operator. He led in the past several Steadicam workshops. usbeim ZDF in Mainz and at the Hürth.



Antwort von fragenüberfragen:

Could your house of film you ask the habit of your seminars in a single thread anzupreisen?
And could one of the moderators in this forum the flood of papers together? I think I am not the only one that the animal nerves. If yes no advertising website for Cologne's movie house, or around it?



Antwort von Kölner Filmhaus:

Webstreaming & Video on Demand
Conductor: Christian Rall

Event no.: 09-01-24B
Date: 22 March 2009
Duration: 1 day
Participation fee: 160 ¬
It is requested, the application is a short biography attached.
Zellfix
Both modules and web-tv Webstreaming synonymous can be booked as a block. The participation fee is then ¬ 250.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

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The basis of practical examples are s.diesem day all necessary production steps for a web-tv-Page presented. Building on the theoretical content of the seminar »Web TV & IP-TV", the participants have the possibility of a brief contribution to the network and to publish. It is synonymous to the differences in television productions received.

In addition to hardware and software requirements for the production are synonymous ways of delivery are discussed.

the camera work are also discussed how to best use different compression techniques.

Contents:

* Choice and evaluation of appropriate video material
* Processing of the material with Final Cut Pro
* Encoding into different quality levels
* Uploading the videos to the server
* Integration of various players in the website
* Before-and disadvantages of the format, Real, WMV, Flash and QuickTime

For the seminar is the latest iMac computers and digital video cameras available.

Christian Rall is a graduate engineer for audiovisual media. He works as a freelance media engineer, editor and trainer for Final Cut Pro.



Antwort von Kölner Filmhaus:

web-tv & IP-TV
Lead: Mark Wessel

Event no.: 09-01-24A
Date: 21 March 2009
Duration: 1 day
Participation fee: 120 ¬
It is requested, the application is a short biography attached.
Zellfix
Both modules and web-tv Webstreaming synonymous can be booked as a block. The participation fee is then ¬ 250.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

Login

"Internet and television are very early one." The visionaries have predicted some of the nearly ten years. But today there are both synonymous media still coexist. However, the intersection has grown enormously. The moving image is playing for the online media is an increasingly important role - whether in advertising, entertainment and information industry. With the increased bandwidth of networks is the proliferation of videos on the Internet, hardly more qualitative limits. The seminar provides an overview of the current technical capabilities, the new work requirements for journalists and editors and an outlook into the future.

Contents:

* What is web-tv, which IP-TV?
* Market Overview - What is web-tv anywhere? Where will the future play a role? (eg, the American election campaign, local reporting, Corporate Communications)
* The own TV channel - What do I need to moving images via the Internet to disseminate?
* Real and Microsoft against Adobe - which format will prevail in the network?
* The picture must be accompanied by the line - on data rates and compression.
* All such as watching television? - Camera, sound, editing - what do I have in the production of web-tv content to look out for?

Mark Wessel has been working for more than a decade as a journalist and producer for the online editorial staff, inter alia, of ARD and ZDF. Already in 1998 he realized the ARD for the first live video streaming on the Internet of the World Cup in Paris. He has since worked as a freelance journalist for several online media. War-time online producer at the WDR-media group, project manager for various Internet projects and is a trained director (New York Film Academy)



Antwort von Kölner Filmhaus:

Animation - Stop Motion
Conductor: Nikolaus Hillebrand

Event no.: 09-01-27
Date: 16-17 May 2009
Duration: 2 Days
Participation fee: 250 ¬
It is requested, the application is a short biography attached.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

Login

Stop-motion or Sachtrickfilme created by gently moving or deformation of objects.

This seminar provides a practical instructions for the production of Sachtrickfilmen dar. In two days of short films: From the first idea to the soundtrack.

Along the manufacturing process, the priorities are:

* Brainstorming
* Of Stop Motion
* Objects with animation, images and plasticine
* Light Camera & Recording (PAL or HD)
* Finishing, cutting and soundtrack.

Nikolaus Hillebrand and is founded with Kyne Uhlig 1992 film "Niky images. In addition to commissioned works (Niky images since 1997, regularly makes films for the WDR / consignment with the mouse "-wise) are synonymous freelance projects. Your Short Film GREEN was premiered the Berlinale 2007 and since then ran to over 30 film festivals (usTaipei, Madrid, Shanghai, Cologne). Animation workshops give Niky images as part of the country's cultural program and school NRW, s.der Malschule Emden, in the film workshop uaunter Munster: www.nowottnyart.de



Antwort von Kölner Filmhaus:

Animation - Stop Motion
Conductor: Nikolaus Hillebrand

Event no.: 09-01-27
Date: 16-17 May 2009
Duration: 2 Days
Participation fee: 250 ¬
It is requested, the application is a short biography attached.

Contact: Petra Wersch
Tel: 0221-222 710-52
E-mail: seminare@koelner-filmhaus.de

Login

Stop-motion or Sachtrickfilme created by gently moving or deformation of objects.

This seminar provides a practical instructions for the production of Sachtrickfilmen dar. In two days of short films: From the first idea to the soundtrack.

Along the manufacturing process, the priorities are:

* Brainstorming
* Of Stop Motion
* Objects with animation, images and plasticine
* Light Camera & Recording (PAL or HD)
* Finishing, cutting and soundtrack.

Nikolaus Hillebrand and is founded with Kyne Uhlig 1992 film "Niky images. In addition to commissioned works (Niky images since 1997, regularly makes films for the WDR / consignment with the mouse "-wise) are synonymous freelance projects. Your Short Film GREEN was premiered the Berlinale 2007 and since then ran to over 30 film festivals (usTaipei, Madrid, Shanghai, Cologne). Animation workshops give Niky images as part of the country's cultural program and school NRW, s.der Malschule Emden, in the film workshop uaunter Munster: www.nowottnyart.de



Antwort von Kölner Filmhaus:

We have tried not to be excessive, but the themes are very dispersed. The three seminars subject documentary, there is only one thread. In the forum there are always questions about the topics addressed, so the reference to these seminars. We have refrained from seminars to be noted that with film financing, etc, or to employ our training courses for professional training in film / TV. It was not our intention to spam. Sorry!

"ask questions about" wrote:
Could your house of film you ask the habit of your seminars in a single thread anzupreisen?
And could one of the moderators in this forum the flood of papers together? I think I am not the only one that the animal nerves. If yes no advertising website for Cologne's movie house, or around it?




Antwort von domain:

Next time, Ms Petra Wersch halt all times thoroughly prepare and then send in a thread, and we deliberately ignore or appreciate.



Antwort von derpianoman:

So a bit of advertising here so every man for himself - this is probably the most heavily with Slashcam denied?

I think the seminars as they are being listed well!

Just think about why advertising (here) is always equal to "phbbbbt" is ...
Now it seems that something with "Hand & Foot" = level, so that the still None really has dared to write. But somehow it annoys you though, or?



Antwort von Kino:

A link to the seminar brochure (pdf *) would have served me synonymous.

The contents of this but I was raised. Who knows because the organizer or any of the speakers? Did someone here present the user s.einem or participated in several seminars? What should I expect? Is it worthwhile, so several 100 the slopes n.auf to go?



Antwort von Bernd E.:

"Movies" wrote:
... Link to the seminar brochure (pdf *) would have enough ... ...

And for the next request immediately adapter: Please refers to the program in future something out sooner. Some events would interest me, but with a lead of just two weeks or two months synonymous not only did I probably little chance that is still in the schedule to accommodate.



Antwort von Kölner Filmhaus:

So sorry, it was not our intention to spam.

Lecturers to the question: under-www.koeln filmhaus.de there is a gallery with photos lecturers and Vita. The instructors are all practitioners, work that is "quite normal".
On the issue seriously: We organize training courses, among other things synonymous with IHK-examination and the seminars are often synonymous encouraged. In addition, we are subject to an annual audit.
The seminar brochure is also available on our homepage.

VG




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Oscar 2019: Green Book ist bester Film - ROMA u.a. mit Cinematography und Best Foreign Film Oscar ausgezeichnet
Supporting Film / Voor Film
TV-Film 16:9
Film gesucht
verdrehter Film
Rauschen im Film
Film brennen
Film vs. Kunst
Pirelli Film
WE KEEP ON DANCING - Short Film
Geteilten Film wiederherstellen

















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16:9
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