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Shots with / without the "xvColor" in film Mix



Frage von immanuelkant:
März 2008

1. Has it any influence on outcome and play, if I HDV recordings of two cameras at the intersection for a controversial film, with a recording with and without the other "xvColor" were made?

2. HDV editing programs to process images with / without the "xvColor" must be a transparent or explicit editing program "xvColor" understand?

Thanks and greetings
Uwe



Antwort von WoWu:

@ Uwe

It depends on your editing program, because xvYCC uses the data area below the 16th Bits and above the 235th Bits. (For 8-bit)
This color is the next spread and a higher color resolution is possible. allowing other, more intermediate tones are produced.
For mixtures in xvYCC color space is changing your different chrominance not, however, it is only between 16 and the 235th Bits and therefore has fewer colors.
Some NLE's is now code 16 = 0% and code 235 = 100% and they cut everything below and it ruthlessly s.and can not use the data range of 1-254 use.
Try this, call the waveform monitor and check whether you with the xvYCC signal below 0% and 100% come from. If the part a way to shut down the limits for illegal colors: off.
If you so wish somehow after PAL, are synonymous, however, then illegal colors. Do you want to order on a modern monitor, the color synonymous and synonymous know the signaling.



Antwort von immanuelkant:

Wowo @ - Thanks for the explanations first.

I cut with ultimate PinnacleStudio11. Supports xvYCC?

The output will be concluded, for example on my Toshiba 47z3030d go, both as synonymous xvYCC "deep color" understands.





Antwort von WoWu:

I can not answer you, because I do not know PinnacleStudio11 ultimate question and the same would give s.die experts here in the forum ...
Or try's to look RGB luma values s.and You'll see if your signal into the Cons and goes over 100%. Above all, the Cons can not be overlooked.




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