Domain, this style is called
Tiltshift, synonymous if the origin of photographic actually come from a little something else, purely on the camera optics based, says. This Tiltshift-effect is just en vogue and is actually a mix of completely different techniques.
Pilskopf, you can also turn off in Vegas in the Event Properties (right click) the resampling, so that only nothing is interpolated.
And if you auswärest more from a strobe-effect, you could instead of the combination of Time Lapse reduce even the Under strong sampling rate (synonymous in the right-click menu of events).
Marco
Antwort von Marco:
"Could you be the elements of this mixed media more closely describe ev." Stylistic goal is to let normal, real shots as thumbnail images.
That usually the highest possible camera position, setting a total size, movement is light with Time Lapse, a (mostly man-made) very limited, focusing, and mixed with a distinct blur drumrum Bonbonfarbgebung.
"Through you I have learned half the Vegas." How - you still missing the other half? : D
Marco
Antwort von pilskopf:
"
That usually the highest possible camera position, setting a total size, movement is light with Time Lapse, a (mostly man-made) very limited, focusing, and mixed with a distinct blur drumrum Bonbonfarbgebung.
So I went there now ran synonymous times. It is a mixture of many things that I think colors are just as much to fool the brain, we see virtually no one model railway. But you know what I mean. I find it interesting how the brain thinks, to see models. Just the uncertainty, it is not. The individual should look like but in any case as sharp full frame without motion blur. And the pictures may not have grimness I think, no film grain.
And yes, the other half I really need to learn, Vegas is great uind powerful. : D
Antwort von Axel:
The thing with the Time Lapse of the Association comes with ant hills (nature documentaries). Jerky motion to simulate the technique of stop-motion animation, in which, using recognized correctly, the motion blur is missing (short exposure time). In addition, lack of movement
phases.
Antwort von pilskopf:
For night scenes, but I can not take with 1 / 100 shutter, as my HC9 looks so nothing more. The second scene of the street I had with 12 / 1 rotated and open Aperture. Neatvideo then removed the grimness. Ne DSLR would be better suited for it, I'll give to but hey, maybe I'll go with the speed to something higher still minimize the motion blur.
Antwort von domain:
Is incredible that Tiltshift has passed so far without a trace s.mir: D
But the first experiments to see from quite cute. However stupid that I can only inner Liquid Image Area (rectangle, ellipse and circle) with Blur, but not precisely define and fuzzy inside running external framework. With a sharp gecroppten 100% Pip on the same basis blurred image and strong running edges of the pips but it went well.
Did I miss some liquid in it?
Antwort von pilskopf:
For these masks Vegas is really looking very good for me that is the reason for Vegas.
Antwort von Marco:
Domain, if the mask should not be static, is the alternative to create them in a graphic software. Per (luminance) keying it can then be used in the editing software.
Marco
Antwort von domain:
Thank you Marco for the tip. Have already created a number of such masks in Photoshop, but they really only used in conjunction with the mat-Track. Do I probably deal more intensively so that if I Tiltshift etc. should appeal to very.
Actually I am not a great lover of "gadgets" but rather concentrate on the more conventional cut Tonsektor Videos
Antwort von Marco:
Then would be the predestined task for you to find out, could sound like a "miniaturized" Sound and how the s.effektivsten can be manufactured so that the visual Tiltshift-effect with the appropriate audio atmosphere can be married ...
Marco
Antwort von domain:
You're right Mark!
A normal sound fits Tiltshift not really. Which would have a little more like quakig like Mikey Mouse or Duck Daysi singing with increased frequency sound, which would then really fit.
Antwort von Kino:
I have already played synonymous with this effect and would give those interested two little tips that I made initially false.
Sets the masks in PS a little bigger, it is then possible to focus s.das motif by moving the mask (if necessary even keyen) adapt.
When shooting already respect the fact that-if unavoidable-no vertical objects are taken over the entire image height with. It exposes the fake too fast, if for example a street lamp in the foreground standing in the middle of sharp, but s.Fuß and / or the upper edge of out of focus, although she is indeed located on the same image plane. Who wants to adapt because behind the mask for Picture Picture?
