can someone tell me how about the volume ratio between the dialogue recordings, atmos and effects or music should be. If for a video, where even the correct audio mix is pending. Thanks for the help!
Antwort von Jake the rake:
If the mixture still pending and the audio tracks you only have to pass then it is advisable as well as possible all traces ausgesteuert forward to all sorts of bits to use and so the best possible quality.
Antwort von Caroline:
no I give the audio tracks are not next. Make the mixture itself, For this I ask yes to.
Antwort von beiti:
Since there are different approaches. Classically movie dialogues are quite low ausgesteuert (by volume of reserves for Effects to have) and television productions completely to 0 dB (this is synonymous to an ancient mono-Television understands everything). This is synonymous why you the advertising between movies as loud as often occurs.
So for the classic TV mix is: Everything on High Level disqualify. If tones overlap, so select the mixture that in addition to the spoken word and music sounds good even understands. And of course, the total level will not over the maximum boundary, ie possibly need all Enzelpegel somewhat reduced.
Antwort von tv-man_sh:
So for the classic TV mix is: Everything on High Level disqualify.
Some editors already mumbling but when the peaks over-9dB beyond. The advertising is not synonymous sent loud as the rest of the program. In general, the sound of commercials only in the higher dynamic field and is therefore supported by the human ear as "loud" compared to the regular program, which is both quiet as synonymous loud passages are perceived. The human brain is a mean, which we then called "subjective loudness" exercise. For advertising sport care compressors, limiters and expanders that the Maximum Dynamics is exploited. These are quiet places specially strengthened and aligned s.die maximum volume.