Infoseite // Station of life, 3D and real film



Frage von Heinrich123:




HEllo I have got you so threatened again on my steps to my station movie
to inform.
I've decided I tinker a combination between real and animated film.
This makes my story better transport. (See Threat "station of life)
Now it is a first attempt to assign the correct perspective and generate additional 3D images.
The scene is still quite rough on the left page, but I think you see but in what direction it should go.
The camera then has to act calmly and naturally, it must be tracked.
Has anyone of you experience with tracking?
Liebe Grüße Heinrich

Space


Antwort von Axel:

In combination with the graphical elements that you intend to manifest, it is necessary for (the) live-recording layer height, tilt (slope) and as a focal reference for 3D in AAE, etc. ready to have. No way you can adjust these three parameters only with circumspection. For the tilt angle is calculated first has become the focus of your camera. I recommend the book "The DV Rebel's Guide", which describes this and synonymous, such as a Joiner's Square must be created to read the tilt (if this is still not an iPhone app, why should not have a carpenter iPhone?). Tracking points you can find it sufficient in a real station.

I recommend you not to completely recreate the station as a 3D CGI (for example, your tracks are completely wrong), but smoothing individual elements. Rails, walls, floors can be with the real host masks (with the help of Motion Tracking) synonymous with moving camera to isolate and alienate good in every way.

The design for a very similar project is still on my heap. For about a year I have a production designer and painter for the good friend. From her I received a new approach to visual design. Do not take on something present and torturing it until it pleases you. How do most, and provoke the results regularly nicely done ". Instead, find a completely ethereal picture of yourself out for yourself. In your case the station of life an alienated, its real place (can), the normal attitude of the filmmaker or have but one thought, a feeling that you are the Picture.

Space


Antwort von Heinrich123:

Hello Axel.
Thank you for your criticism !!!!! :-))
Was once a shot in the stomach.
Wanted to see if I can hinbekommen Basically, the.

Thank you for your very helpful tips.
Sure, the scenes I have taken from the "old" material.
'm Going to start selectively targeted. Even with Blue Screen.
Have the story quite well in the head.
There will be animated "funny" birds. So-called Kurus (bring the baby) a platform of departure (death, etc.)
If you have a similar project would be great, we could have us do together :-)))
And you need someone to starting a couple of good ideas and a few kicks missed :-))
Thanks again!

Space


Antwort von B.DeKid:

Hi

So as a One Man Show which requires much time and effort!

Because we must respect on many things.

My tip bau everything so that you can work with a lot of artificial DOF virtual Camera! This saves rendering details.

MfG
B. DeKid

Space


Antwort von Heinrich123:

This is a very good tip !!!!!!!!!

Space


Antwort von JonasB:

!!!!!!!!!!!!!!!!!!!!!!!

Space


Antwort von Axel:

"Heinrich123" wrote: There will be animated "funny" birds.
For me glued to the hall window Vogelsilhouetten should be alive. Even funny, you should write s.The Jungian society that one has found a hoard of archetypes: the "station of life."
Good luck with the Project!

Space





slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash