Frage von Jan Merlin:
Hi folks,
I need a new external Micro! My previous Philips SBC ME570 is no good.
I have read a lot around for long and now it needs your help!
The new Micro should:
- Not more than 300, - Euros
- Good SonyFX to-1 match
- A good Richtkarackteristik have (super-cardioid, mace)
- Not only to use his camera (tripod, fishing etc)
- And of course the best possible sound recording
I was just about me Rode Videomic to buy it myself as an inexpensive and very good solution appeared. Then I, however, the opinions regarding this Mikros far apart ...
Also, I wonder whether the stereo Videomic would be no better - there is finally a Micro Stereo!
So I wonder whether the Richtwikung actually a microphone through the "Stereo" is restricted?
I am between these two mics out completely and hergerissen. What you empfelt me, I will buy!
About one or two good tips I would be delighted!
PS: as a 30-cm giant of Sennheiser or Beyerdynamic is simply too bulky to me.
Antwort von Pianist:
So I wonder whether the Richtwikung actually a microphone through the "Stereo" is restricted? I grübel just how I'm going to respond, without an introductory seminar in the various stereo recording procedures to them. To say as easy as possible to make: If you like it in the recording is so important, a possible strong directional effect, because you just want to record the sound that is played out in front of the camera, then you do not need stereo Microphone, yes because you just not broad-based stereo record want, but only the acoustic events in front of the camera.
Later, yes, you can then cut as desired in any stereo Atmos add. The professionals make an otherwise same. Stereo microphones on the cameras are an absolute exception.
Matthias
Antwort von Luis1906:
OK, this is a good argument!
I stop reading that it is difficult if you have a Tonqelle film, which then moves out of the picture. They would then often the "leakage" from the Microphone area eaten or unnartürlich dumf sound.
Furthermore, in many product descriptions of the stereo Videomic that there is a good directional effect. So why does not this take?
I wonder whether a Stereo Microphone is not a much nicer sound plays, as a Micro Mono?
Antwort von Jan M.F.:
Why is my name as the author never actually? but the host?
Antwort von Markus:
I wonder whether a Stereo Microphone is not a much nicer sound plays, as a Micro Mono? Why you try both Røde Videomics not just? Either or both of the dealer in mail order, at rest at home for free and then keep one of them ...
Antwort von ami842:
My recommendation is the beyerdynamic MCE 82nd Does not cost more than 300
and is the best stereomic I know.
Grus and tschuss
Antwort von Pianist:
My recommendation is the beyerdynamic MCE 82nd Does not cost more than 300 and is the best stereomic I know. XY stereo, however, can raise issues of mono compatibility, there is the MS-Stereo safer way.
Matthias
Antwort von derpianoman:
Interesting question! I have already asked synonymous ...
Antwort von Eva Maier:
Note to Beyer microphones:
Also avoid the XY stereo arrangement capsule recording error due to time differences ....
/ (E
Antwort von Pianist:
Also avoid the XY stereo arrangement capsule recording error due to time differences .... Time differences have to be nothing wrong, after all there is in contrast to the two intensity stereo method XY and MS synonymous pure run-AB stereo method with two in a certain distance up microphones. That would be the situation if I have a stereo with two Atmo Neumann KM 83 (balls) to include in the basket on top of each other axially in the opposite direction and slightly offset mounted, resulting in a capsule distance of about 20 cm results. For pure atmosphere, this is a good arrangement.
Now again to XY: If the people XY stereo microphone as the camera microphone, then shows the most significant weakness of this process: The lowering in the middle. So exactly where the Picture s.sich associated Toni formation should be included. Therefore, I would as a camera microphone, stereo if it has to be the MS-preference procedure, because you always the center has a shotgun and possibly for the eight stereo Atmo dazunimmt. If you later matriziert, you can even after changing the base width. And that you can always push of a button via a mono signal, where the shotgun left side because the signal of Eight completely extinguishes.
I'm still of the opinion that no s.der Camera Stereo Microphone must be, because much more elegant, the main building important source addressed in mono record and then later in the mix right stereo Atmos add that gives a considerably more flexibility and operational safety.
Stereo recording technique is not so easy, no preference whether movies or symphony orchestra.
Matthias
Antwort von Eva Maier:
Was not my opinion but of the firm Beyer,
but I am always amazed that there are people there to know something,
I was actually not known
See this interesting ways similar to MP3 - Stereo and Joint Stereo.
! Re-learned something, thanks for the submission.
/ E
Antwort von Pianist:
but I am always amazed that there are people there to know something, I was actually not known Speech times with tonmeister graduate who say you have totally different things relating to "stereo recording process", thus the need to employ long term ... :-)
Matthias
Antwort von Eva Maier:
My father was a sound engineer, because I have a bit of synonymous and mitgekriegt me connected to the hobby, was synonymous times a topic on the hearing un the U.S., Japan and Germany, or via loudspeaker. always goes to somehow because of the bass-weighted, center-weighted, etc.
I can but with the middle and a little left-right kind of friends. At least, I would have given the sound where it belongs and not like so many of the Page, which in recent years more and more leads that I imagine Television to mono.
/ E
