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Stop-Motion-Extrem: Mit dem Fotoapparat Werbeclips

Stop-motion extreme: With the camera, promotional clips "Filming"



Newsmeldung von slashCAM:
August 2008

Stop-motion extreme: With the camera, promotional clips "film" of rob - 5 Aug 2008 11:55:00
Three clips, with the elaborate stop-motion animation of the Australian director Liz Murphy have been implemented. It is therefore not always, or a 3D movie camera. For use, the new Dragon Stop Motion software, and a Canon 1D MkIIIs and a 40D. The impressive clips are hier, here hier
Ein Blick in ihr Portfolio bei hier, Taxi Film hier,
This is an auto-generated entry





Antwort von Alan Smithee:

As far as I know, the music video for "Daysleeper" by REM synonymous - at least partially - with a 35mm SLR "rotated", then on film.



Antwort von tdeece:

You certainly think the 1Ds MkIII :-)





Antwort von smooth-appeal:

"Slashcam" wrote:
[b] The camera tripods and dollies were with Low 3 lasers feinjustiert and partly less than 1 mm per frame moves ...



And yet one sees desöfteren leaps and Ruckler - Buuuuuuh!

Nevertheless, very respectable job. For the necessary expenses, I would prefer the order of competition left ;-)



Antwort von c-r-u-x:

Were the "Outside" synonymous in the studio or rotated as the worked with the light, which during the entire clip remains constant?



Antwort von felix24:

For all those of this stop-motion clips "completely surprised" are: it should just take a look synonymous in film history. Since then eventually we come to Emile Cohl, and already something of this much extreme in the period of 1907-1920 has made ... Such information can be found at Wikipedia, with Youtube clips and a great site from France ...



Antwort von taxifilm:

"crux" wrote:
Were the "Outside" synonymous in the studio or rotated as the worked with the light, which during the entire clip remains constant?


Hi crux,

I will have to reply in English, so I hope you can read it!

Thanks for the interest in these ads. They were some of the most technically demanding shoots we have ever attempted. All of 3 of the sets were built in one warehouse in Brisbane, Australia - just up the road from the film taxi offices.

The background on the 'Build' set was actually done with a giant green screen and a separate animation was shot with careful timing and then composited into the background.

You will also notice that the camera moves constantly throughout each of the ads. This was incredibly complicated to achieve because no computer-operated motion control exists that could Maneuver through the sets s.required. So we marked out the increments of the camera positions on long wooden sticks and used laser pointers to on 3 axis to calculate the trajectory and speed of each camera movement.

We also shot sa full 25fps instead of the standard 12fps that animators normally use - this way we could ensure control the Smoothness of the movement in both the camera and the objects.

Thanks for the interest.

Taxi Film.




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