Frage von strohy:
Hi.
We intend to take at specific intervals over several hours to photos and then add them with FinalCut or QuickTime to a time-lapse film together.
These can be found on the Internet synonymous descriptions of all sorts. A remote with interval signal we have. However, the question arises how the whole thing in varying lighting conditions looks like?
Clearly, one should avoid a "flicker" to (if possible all, white balance, have Focus, etc.) to manual, but what does that with the exposure, for example, if one day / night cycle, or a Sunset "films." How can you adjust the exposure automatically and evenly as possible s.The light conditions without it later in the film comes to flicker?
THX
Antwort von Schleichmichel:
While the exposure is automatically adjusted.
Ideally, the interval recording is made s.einem cloudless day. If it is cloudy, you can use a light time-lapse film study. For, as you can see how extremely different can be the light and what needs to ensure a proper DoP under such conditions. For unterschiediche synonymous Wolkendichten produce different color temperatures, and of course, synonymous different shade.
Antwort von strohy:
So I would have chosen the DSLR with the AV mode, however, is occurring, the question whether it (because of the exposure, for example, if a cloud passes) are not yet strong illumination changes and thus a flicker arises ...
Antwort von Schleichmichel:
Of course it makes a cloud before the sun felt on the subject, and in the form of color saturation, detail and outlines general behavior of the shadows. In addition, other areas in the Picture will be different light, and when the cloud moves, then this will change for Picture Picture synonymous. Is really quite trivial. So yes synonymous "s.wolkenlosen better days" to make Time Lapse!
