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Verwendung unterschiedlicher Formate unter Adobe Prem. CS 5.5

Use of different formats in Adobe Prem. CS 5.5



Frage von snowman1:
Februar 2012

Hello people! \u003cbr /\u003e\u003cbr /\u003e Earlier I had only one setter (Sony camcorder DV = Drill Data) and so it was in the sequence settings nogrossen requirements. \u003cbr /\u003e\u003cbr /\u003e If you only have a Videoaufnahmegeraet, it takes just synonymous with just that if it was planned "filming". \u003cbr /\u003e\u003cbr /\u003e Then a Nikon D90 came to be so synonymous with the - when there is no camcorder is available - can make excellent videos (with the famous little problems, such as a car zooming While The Studio). \u003cbr /\u003e\u003cbr /\u003e Of course you can synonymous with derCanonIxus video snapshots and make synonymous with the smartphone ... \u003cbr /\u003e\u003cbr /\u003e Sure would not run as a professional project, but at a Jahresrueckblick - especially when you have small children - you want the whole course materialEmbed as needed. \u003cbr /\u003e\u003cbr /\u003e So I have the following format "on offer": \u003cbr /\u003e\u003cbr /\u003e DV = Sony Camcorder (Windows Movie (wmv). 576 x 720, 4:3 at 25 frames, 48 \u200b\u200bkhz stereo \u003cbr /\u003e HDSLR = Nikon D90 (Windows Movie (wmv). 1280 x 720, 16:9, 24 frames, 11 khz mono \u003cbr /\u003e Canon Ixus Digicam = 6.0 (Windows Movie (wmv). 640 x 480, 4:3, 30 frames, 11 khz mono \u003cbr /\u003e Smartphone Nokia N8 = (MPEG-4 file: usually 1280 x 720, 16:9, 25 frames, 48 \u200b\u200bkhz stereo \u003cbr /\u003e\u003cbr /\u003e So I have created different for the different sequences with their own devices settings. For DV and HDSLR there are appropriate settings and then I guess I just have a.Ende multiple DV sequences and sequences HDSLR exported to Encore (DVD edition), as the generation of a master sequence with Prem again led to quality problems. \u003cbr /\u003e\u003cbr



Antwort von Axel:

24 and 30 can not be on a PAL DVD, 25 not on a NTSC DVD. 24 and 25 can align themselves with no conversion by you in the project window with right \u003cspan style=\



Antwort von snowman1:

First of thanks for the info. \u003cbr /\u003e\u003cbr /\u003e If I understand correctly in its approach, "are like" you are the dominant A.The different format or mainly present format (in my DV-SD material) a.and working then synonymous with only one type of sequence?





Antwort von Frank Glencairn:

In principle, it is the premiere completely no preference - it all feeds on each timeline. \u003cbr /\u003e\u003cbr /\u003e If you're too lazy to create your own preset, then pull the "Create New Sequence from footage" the material from the bin simply click on the icon and done, the rest is done premiere of itself \u003cbr /\u003e\u003cbr /\u003e But it makes no sense synonymous to prepare for all ne own sequence. \u003cbr /\u003e\u003cbr /\u003e Do ne sequence (eg DVD) format is your goal. \u003cbr /\u003e Throw everything in the timeline and fit the footage with the appropriate settings ("Interpret as ..." and "in sequence size scaling") a.and finished the arbor. \u003cbr /\u003e\u003cbr /\u003e A look into the manual, the help files or the extensive tutorial pages and forums of Adobe are not synonymous wrong



Antwort von Alf_300:

I would join me Axel, because Premiere does this, but mostly just not good enough.



Antwort von Axel:

\u003cdiv class=\



Antwort von snowman1:

Thanks for the info! \u003cbr /\u003e\u003cbr /\u003e If I have the Ixus files in my default sequence (DV) tie-in, although the picture quality fits quite well, but the tone is useless if I have the frame rate of 30 to 25 fps put low. \u003cbr /\u003e\u003cbr /\u003e Had then the Ixus data via Media Encoder to DV format with 25 fps converted. By extrapolating the resolution of 640 x 480 to 720 x 576 but the quality suffers a bit, but the tone disposes over the correct speed. \u003cbr /\u003e\u003cbr /\u003e As the number of files the Ixus holds in the match so far. \u003cbr /\u003e\u003cbr /\u003e I then incorporated the D90 files and the MPEG-4 files into a DV sequence and had to realize that, unfortunately, occur here as strong quality losses that are not acceptable. \u003cbr /\u003e\u003cbr /\u003e I then installed both types into a sequence and the HDSLR



Antwort von Alf_300:

At 30 -> 25 you should turn the flicker, otherwise it pumps somehow strange, -



Antwort von Axel:

It is always a.besten to test yourself. Quality losses Subject: Not always a real-time preview is in full quality. This can be adjusted while synonymous, but I'm very often surprised to see how well the exported movie looks like it actually.



Antwort von snowman1:

Yes in the fact that Echzeitvorschau often looks muddy, sometimes bargain. For me, there is the further that I have currently a Fujitsu-Siemens P22W-5 Eco preview monitor. This raises even ned ...




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