Frage von blueplanet01@gmx.de:
Is there a kind of "automation" in Premiere 2.0, where you create a soundtrack
Music with evidence, and then sequence auto brands to the clock of the piece create / set them? The manual version is so far clear, but has not everyone stop such a good sense of rhythm .-) that it then later added to the video images synonymous to the point / intersection agrees.
Thanks in advance
VG
Jens
Antwort von breakable:
Is there a kind of "automation" in Premiere 2.0 No.
Antwort von KidKiller Prod:
How is this supposed to go? Where is because the program know exactly what you want? In After Effects, there are, inter alia, the SoundKeys plug-in from Trapcode home ... I do not know whether you have AFX ..
Yours sincerely,
Malte
Antwort von Pianist:
The manual version is so far clear, but has not everyone stop such a good sense of rhythm .-) that it then later added to the video images synonymous to the point / intersection agrees. Then the person just missing a prerequisite. So now is the time. It may not be synonymous every play drums or dance.
If you're stubborn, but at a stroke of the bass or snare drum cut, then I wonder just what you da überhaupt tact need. You hear just frame by frame before the cut and will then be made to the correct stroke. Soon you will then identify the rhythm and then have to be in addition only the frames count. I'm going now just assume that you are in your program each frame individually can listen.
Matthias
Antwort von Chezus:
In practice helps bischen drums as much.
One can see many videos when one has no sense of rhythm (ie, tact is not related to rough).
Look at music videos try s.and times the beat mitzuschlagen
Antwort von Beatfabrikant:
You look so beat by the deflection in the waveform. Since then no need tact.
Antwort von nico:
I will not get rid of the impression that the questioner Varinate but the manual does not really know. The is well known is that you simply s.einem Music in the timeline selbstzuwählenden starting point and can begin when monitoring the beat is always the "*" - button is pressed. Thus, stroke marks in the timeline set s.denen very easy to place video files and can be cut.
This requires no sense of rhythm or percussion skills - a rate not sufficient because zugestopfter ears completely.
Antwort von PowerMac:
Technically certainly doable. Just useless.
Antwort von nico:
But in practice has been tested.
Antwort von PowerMac:
?
Antwort von Axel:
Technically certainly doable. Just useless. = the clock and analyze auto markers to leave.
But in practice has been tested. = While listening to the beat to the mark button Kloppe.
? Misunderstanding.
Antwort von PowerMac:
Thanks Axel. I submitted three issues instead of character clarify the misunderstanding.
Antwort von blueplanet01@gmx.de:
... thank you for your tips and I wanted no fundamental .-)
Discussion of existing and implemented as "tact" of fences break, but simply the question with yes (as if!) Or no (hmm. ..) get answered. "The star button" I am well aware and conscious, but I have very fast beats (eg in video clips, music), where within frames of 25 glorious 3 Cutting done (can), so my problems ... with the "count" or "knock out" .-))! I know it only by "hearsay" from other editing programs (Magix), where they function (certainly, but rather for "Beginners" thought) in the form of an automatic cut to music (bar) there. What is this feature ultimately "driven" and thus whether such a "cut fire" is possible, that I can make no statement. My idea was that in Premiere, perhaps certain decibel limits upwards and below may ... and everything s.diese peaks "suggests," is once AUTOMATICALLY intersection as "recognized"? Whether s.dieser then the body makes sense or not ... yes you could individually, in retrospect, and decide which one or another brand if necessary, to delete it. Surely there is such a "professional programs" that can accomplish (!?), but my question was yes for Premiere.
... So, have once again thank you and I `werd finger next to the" smoke "can .-))
VG
Jens
Antwort von Chezus:
Another trick. Extend the clip around and make double the music so that the pitch is maintained. (with speed / time)
The whole thing then zwischenrendern and then you have not 25 frames for 3 but cuts of 50 frames.
This makes it easier
If you think 3 Cutting at 25 frames are much more then take a look at the times
