Infoseite // Wedding shooting in a church!



Frage von thomasat:


Hello,
I am a wedding tomorrow movies in a rather poorly lit church,
I use floodlight addition, I've ever seen a neon lamp 16watt from DIY gekauft.wo I should set those brautpaar front of him?

order tonaufnahme I conclude s.meine cam with a microprocessor to 5m cable, there there's something important to note?

thanks for the help
mfg
Thomas

Space


Antwort von Phyro-Mane:

So twice to post the thing here does not effectively synonymous ...

Space


Antwort von steveb:

Dear Thomas ... please do not crosspost / double post.

ahhh. Phyro had been blown up faster "than me ... :-)

Space


Antwort von ptvwesel:

Remember that with the light! The pastor rises you on the head and the wedding party will want to see you again.

I film weddings for years and never even needed a light. The minimal Aperture went to the emergency still synonymous.

The rule applies at the wedding films: less is more! It wants to None, the mega-movie that you are there (in the end he is to organize), but look like this. It's about the wedding party, not to film your actions. Steers in ner church that is totally off (clear, everything is more interesting than the preaching of the church, man)

Tonmäßig I use for sermons, prayers, etc., an extra Micro and put it against the church rattling speakers. Was sufficient to now always. Evt. a 2nd for the atmosphere, so the sound does not so dry.

At the ceremony itself you have no chance anyway. In order not to, I would risk a maximum of one head light and can absorb the sound from the camera's microphone. Sounds crap, but has None complains (synonymous Fernsehfuzzis, which I had not before the lens). If you're close enough (It is important to really stand next to the pastor, not from the 6th row back left!) Is okay.

Hope you could help.

Space


Antwort von thomasat:

"ptvwesel" wrote: Remember that with the light! The pastor rises you on the head and the wedding party will want to see you again.

I film weddings for years and never even needed a light. The minimal Aperture went to the emergency still synonymous.

The rule applies at the wedding films: less is more! It wants to None, the mega-movie that you are there (in the end he is to organize), but look like this. It's about the wedding party, not to film your actions. Steers in ner church that is totally off (clear, everything is more interesting than the preaching of the church, man)

Tonmäßig I use for sermons, prayers, etc., an extra Micro and put it against the church rattling speakers. Was sufficient to now always. Evt. a 2nd for the atmosphere, so the sound does not so dry.

At the ceremony itself you have no chance anyway. In order not to, I would risk a maximum of one head light and can absorb the sound from the camera's microphone. Sounds crap, but has None complains (synonymous Fernsehfuzzis, which I had not before the lens). If you're close enough (It is important to really stand next to the pastor, not from the 6th row back left!) Is okay.

Hope you could help.


Yes thanks for the tips,
With the exception of the micro I have made it synonymous yesterday so!

during filming of the subsequent celebration then I've already partly a fluorescent light tube as an additional use
I look at the material time now ...

Space


Antwort von r.p.television:

Also of a fluorescent lamp from the DIY, I would advise against absolute, as have an absolutely horrible color temperature, such difficulty with which both manual / automatic white balance. Also, there are no pre-settings of the camcorder to compensate for this color temperature.
In addition, these tubes are pretty fibrillation (although this is usually seen only at shorter shutter speeds will).

If you should re-shoot a wedding, take a dimmable light head and a good frost filter in the form of a crumpled white diffusion sheet (available) in the stores. So when are the important scenes, Mark slowly turn up the dimmer (then people sometimes do not even know that you have switched on a head light and not be blinded suddenly). Head Light Filter and use this without daylight settings, either set to Auto White Balance or artificial light. The foil prevents hot spots, the couple hides less and the skin looks smoother.

If you have a second camcorder, fix it on a tripod close to the pair and put a small inconspicuous Ansteckmicro to Brautpar. Often, somewhere a flower arrangement of the couple in front of the chairs. There, I have always hidden the lavalier. The second camera is then taken up again and in addition to the often indispensable Zweitperspektive a continuous sound with no stereo panning, footsteps, banging breather and a cameraman. Especially in and near the JA-words are the actors s.Micro and you have a clean sound. I often have to work very well.

Hope the tips were helpful.

Space


Antwort von Markus:

"ptvwesel" wrote: I film weddings for years and never even needed a light. The minimal Aperture went to the emergency still synonymous.
Such a thing is dependent on the camcorder. In a model for ¬ 250, the furnace is long, whereas a camcorder for 2500 ¬ offers some reserves. ;-)

Space





slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash