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In welchem Modus soll ich meine HD-Videos drehen?

Which mode should I turn my HD videos?



Frage von AbsoluterBeginner:
März 2011

Hello

I have bought a JVC GY-HM100E and bin as HD Beginners stumped-something, I will choose what resolution options. be made videos of me later on Internet sites like YouTube and Vimeo to see (of course, synonymous in HD) and I will provide a download version synonymous in HD: First, to earnings.
Here I must note two aspects: the amount of memory must remain in the frame, but preserve the image quality. My JVC does the following:

Native. MP4 (XDCAM EX !") Recording
in 1920 x 1080 (1080p24/25/30, 1080i)
or 1920 x 720p (p60/50/30/25/24)
at a maximum bitrate of 35 Mbit / s.

Basically I know what all this means. I would go from the gut s.den stop and 1080p30 with 35 Mbit / s select ..... But is that necessary?

A few experienced rebukes were fantastic ....



Antwort von Charlinsky:

Hi,
I've had 110s of JVC and the best results achieved with 720p/25fps. Crisp image synonymous for the web and on DVD I had created the video clips as f4v/flash premiere.
LG
Charly



Antwort von prime:

I would take 25p, 50p or 50i, Resolutionwie you like, because * in case * it will be shown somewhere here in PAL territory, it can be used without problems and loss of quality.

30p is not much in my eyes * * as 24/25p liquid and use in PAL projects makes it unnecessarily complicated.





Antwort von tommyb:

"Charlinsky" wrote:
Hi,
I've had 110s of JVC and the best results achieved with 720p/25fps. Crisp image synonymous for the web and on DVD I had created the video clips as f4v/flash premiere.
LG
Charly

The 110s were synonymous but nothing else that had high resolution (except for just 24p or 30p;)




@ Thread creator
Sit slightly out of European television standard apart. We turn in Europe 50 Hz and the cameras with 50 or 25 frames. If one turns with 30 or 60, this may in certain light sources cause flicker.

In your particular case it is more the product of the editing software you are using s.die. In general, namely, is a progressive format for video platforms of advantage, because the internet is nothing interlaced. If your software can deinterlace the 50i but your camera reasonably well to 25p, then turn with 50i. This gives you more freedom in post-synonymous (Slow Motion, etc.).




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