White Balance, Night Street Lamp

///

White Balance, Night Street Lamp

Frage von -ssSonyY-:

November 2009

Hello,

I would like to do in the near time s.Abend on a street, a couple of Steadicam shots ... The only street lighting are normal (and several traffic lights ...) At present, it is indeed very foggy and I think it's just looks extremely horny ...

Streetlights are indeed very cold, so yes be very red light ...
And my problem is that I have no idea what white balance I want to Nehem ... Indeed, I think the "natural effect" is gone, if I make the white balance to the light of the street!?
Of course, the computer still work to do afterwards, but I would like to shoot stop using the best settings already in ...

Since I am shooting a movie, I have synonymous no consistent look, I could keep s.den!

Perhaps someone has indeed a good tip:)

Lg

Antwort von domain:

A continuous look and have a subsequent impression of the particular lighting situation you only if you stay mostly in the default light vote and the predefined Kunstlichabstimmung only vewendest, when really the whole lighting is so.
A manual white balance really only makes sense if the camera sees the lighting differently than the eye, such as under fluorescent lighting.
And the automatic white balance is generally useless at all.

Antwort von -ssSonyY-:

Super thanks!

I did not even open it properly ...

Antwort von Pianist:

"ssSonyY" wrote:

Streetlights are indeed very cold, so yes be very red light ...

What does "cold" to do with "red" to? But it apart: There are indeed very different street lamps that make very different light. In a city with many artificial light at night so I would rather s.Kunstlicht field guide, so make the white balance so that when something comes out between 3,000 and 4,000 Kelvin. This is what I think, by s.besten. Xenon headlights of cars will contribute a little blue and the orange sodium lamps s.den masts, of course, contribute more orange, especially since this is such a narrow band of light that one at all to find a suitable white balance, because in this lighting just not a normal color performancemöglich is.

Matthias

Antwort von -ssSonyY-:

"Pianist" wrote:

"ssSonyY" wrote:

Streetlights are indeed very cold, so yes be very red light ...

What does "cold" to do with "red" to?

naja reddish light is around 2000K yes
bluish in fact begin at approximately 4-daylight 5000K and then upward,
So actually the temperature of her times ...

Antwort von -ssSonyY-:

.. or learn about my movie College blödsinn nen?

http://www.movie-college.de/filmschule/light/farbtemperatur.htm

"One must-have for color temperature values not only of confusion of everyday experience:
Red light is strictly speaking "colder" than blue light! "

Antwort von Bespi:

"ssSonyY" wrote:

're right ...

Nevertheless, it is said in the speech but rather the reverse.

Antworten zu ähnlichen Fragen:

White Clip bei HDV

Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White

Wasserdichte Powerbank-Möglichkeit für Gopro 7 white?

Märchen statt Realismus - Interview zur Entstehung von O Beautiful Night (Regie / Kamera)

M. Night Shyamalan's "Servant" (AppleTV+) - offizieller Trailer

Sammelthread Fragen // Sony Creative Pro Night - powered by slashCAM

M. Night Shyamalans "Knock at the Cabin" - offizieller Trailer

weitere Themen:
Spezialthemen

AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Film
Final Cut
Format
HDR
Import
JVC
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Movie
Panasonic
Pinnacle
Pinnacle Studio
Premiere
RAM
RED
Recording
Software
Sony
Sound
Studio
TV
Video
Videos