Infoseite // external lighting and microphones for sony hdrfx1e

Frage von jensreinke:


Hello,

I need for the following situations (Frame: Documentary film) corresponding Microphones for hdrfx1e:

Interview situation (placing a clip-microphone, table, or what-ever-microphone-synonymous?)

Live music recordings

Can the use s.der Micro Camera for any of these situations? If not, it should be turned off / how? Running noise of a digital camera should be excluded in any case.

Light:
Lichttips with "normal, befensterten" Interior (interview)?
Live music situation with a darker interior?

Perhaps someone else has a tip for the White Balance: you should use manual or better regulate the automatic?

Many, many thanks for any help!
Jens



Antwort von Markus:

Hello Jens, ...

"jens reinke" wrote: Interview situation (placing a clip-microphone, table, or what-ever-microphone-synonymous?)
What type interview, it will be then? Microphones are only interesting if both carry the interviewer than the interviewee synonymous microphones. At the FX1 But you can simultaneously connect two mono microphone.

As such, I think it would be useful to the interviewer would use a handheld microphone with cardioid characteristic, as we see it on television often. Since there are relatively inexpensive but of good quality Sennheiser microphone Evolution 800-Serie).

Bleibt noch die Problematik with der Soundübertragung, da die FX1 für den Anschluss eines Mikrofons nur einen unsymmetrischen Klinkeneingang hat. Schon bei relativ kurzen Kabelwegen kann es zu hörbaren, elektromagnetischen Einstreuungen kommen, weshalb ich, wenn es auf einen guten Sound ankommt, zum Einsatz eines XLR -Klinke-Adapters (z.B. of BeachTek) rate. ;-)

Mehr dazu:
" (XLR s.Klinke
" Microphone for lectures / panel discussions

"jens reinke" wrote: Can the use s.der Micro Camera for any of these situations? If not, it should be turned off / how? Running noise of a digital camera should be excluded in any case.
The microphone of the FX1 camcorder is not bad enough, and usually for Atmo. It is turned off automatically when you insert a plug into the microphone jack.

"jens reinke" wrote: Lichttips with "normal, befensterten" Interior (interview)?
Classic 3-point lighting with daylight-corrected lamps. Not only for the head light s.der Camera.

Learn More:
Movie-College: Licht

"jens reinke" wrote: Movie-College: Licht

Live music situation with a darker interior? Movie-College: Licht


Aperture camera or using artificial light with afterglow headlights. If it allows the design of the recording / requires, you can lighten closeups synonymous with a head light.

Movie-College: Licht

"jens reinke" wrote: Movie-College: Licht

Perhaps someone else has a tip for the White Balance: you should use manual or better regulate the automatic? Movie-College: Licht


Manually to daylight or artificial light () depending on the situation. The coefficients already cover the largest area of application. Especially with constantly changing lighting films ever with the automatic! That would otherwise be a gamble, if it is synonymous of the automatic Sonywirklich well. ;-)

Learn More:
Movie-College: White Balance



Antwort von jensreinke:

Hi Markus,
have many thanks for your help.

Here are a few small follow-up questions ;-):

The interview situation is such that usually 1, but also interviewed 2 are synonymous. And in rooms that are synonymous Hintergeräusche (hotel) music scene.
I would love to do without a visible hand in the micro-interviewee. I could live with so nem lavalier.
Ginge is not synonymous, one would attach a directional micro-micro s.eine Angel and keep it simple on the interviewees, or is that too much effort?
Indicative as a table or a micro-micro? (the interviewer must be heard not as strong, as the interviewees)
What type of micro is part s.der Camera (actually Sonyhdrfx1)?
though incidental music to be recorded sounds, they also unfortunately Zoomgeräusche or encompassing the hand, etc. This xlr adapter do I buy in any case. What kind Microsystems have since then ran for the last case?
To make a rod for stage music recordings rather little sense, right? Even if the "right" Mirko is true?

Thanks for your answer and greetings
Jens



Antwort von jensreinke:

Mark

or how about with a portable DAT recorder? If you s.den specific mics dranmacht, one might indeed save the xlr adapters, right?



Antwort von Markus:

"jens reinke" wrote: Ginge is not synonymous, one would attach a directional micro-micro s.eine Angel and keep it simple on the interviewees, or is that too much effort?
Whether this is too much effort, you have to decide for themselves. Sense, this type of sound would always, if you want to use just a microphone and still get a good sound quality. Professionals working in such situations host synonymous with Tonangeln.

"jens reinke" wrote: What type of micro is part s.der Camera (actually Sonyhdrfx1)?
Since I can only speculate. Formerly with omnidirectional condenser microphones were used, but today there are synonymous with the polar pattern.

"jens reinke" wrote: though incidental music to be recorded, one hears about it, unfortunately Zoomgeräusche or encompassing the hand, etc.
When I recorded the last time a (classical) concert, I had distributed four microphones around the musicians and one Tonmensch s.mixer / Sitting DAT recorder. This was also the minimal solution (budget issue) of the principal. If there is a sound one can possibly synonymous then get a recording.

"jens reinke" wrote: Xlr adapter do I buy this in every case. What kind Microsystems have since then ran for the last case?
You can them all balanced microphones with 3-pin XLR male plug. Think about whether you take an adapter with phantom power. Many XLR microphones require 48 V.

"jens reinke" wrote: To make a rod for stage music recordings rather little sense, right? Even if the "right" Mirko is true?
That's true. Only one microphone was there too little, even if it were a stereo micro.

"jens reinke" wrote: ... what about with a portable DAT recorder? If you s.den specific mics dranmacht, one might indeed save the xlr adapters, right?
If the DAT recorder has XLR connections for microphones, you can save yourself the adapter.



Antwort von prem:

Hello, I am the Wolfgang,
I found something very great. Please look at
www.ohrwurm.de after. A Micro for all cases and you need never again to use the micro-camera. I use it for all the shots no preference what it is synonymous with a tape recorder super shots. There are rausgefiltert even the wind noise to Windsterke 5th You even at a Sourond - plant the impression of surround sound.
I only say SUPER.



Antwort von Markus:

"Guest" wrote: [www.ohrwurm.de] ... and you need never again to use the micro-camera.
This is exactly the point: It may be suitable for general atmos-shots, but it should not replace a good directional microphone, another microphone, which is closely associated s.The sound source.