Infoseite // progressively with the PMW-EX3



Frage von Berntromp:


Hi folks,
At the moment I turn with my EX3 SP mode: 1440 x 1080/50i.
I would be happy times synonymous with 1280 x 720/50P, 25P spin.
Because I like my production manager of discouraged because I still "streak" in the picture do. I work for a car magazine, so I always have a lot of movement in the Picture. Is it because what he told me? Is progressive for Fahrbilder inappropriate? Might as shutter remedy?

Second question:
A technical staff of our post-production tells me that I have no HD Reißschwenks / zooms longer allowed to do, because the chip (?) Not cope. So because of wealth and so s.Information.
I have the problem with the EX3 synonymous?


Thanks for the help in advance
Berntromp

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Antwort von deti:

Why you ask? Simply turning in 50p and make a few Reißschwenkzooms.

For statement 1: No, this is not true, because in 50p looks much liquid each movement than in any other mode. In 25p to rotate makes little sense. If something is muddy, it is only because the shutter speed was poorly chosen.

For statement 2: There are cameras with CMOS sensors, the so-called

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Antwort von Berntromp:

sincere thanks.

Space


Antwort von Axel:

"Berntromp" wrote: Hi folks,
At the moment I turn with my EX3 SP mode: 1440 x 1080/50i.
I would be happy times synonymous with 1280 x 720/50P, 25P spin.
Because I like my production manager of discouraged because I still "streak" in the picture do. I work for a car magazine, so I always have a lot of movement in the Picture. Is it because what he told me? Is progressive for Fahrbilder inappropriate? Might as shutter remedy?


Your production manager reflects on what traditionally "p" is thinking. If enough 25p streaks in a single frame are true motion blur, and with a swivel persecution - such as at a passing car - one sees no Jerkiness (1/25tel to 1/50tel shutter). At 50p, the best motion resolution. Many still swear on the "i", although - in a direct comparison and especially at fast motif movements - looks dreadful. Given these conflicting Auffasssungen there, I suggest that you ran some tests by themselves, under the same harsh conditions, and decide yourself

"Berntromp" wrote: Second question:
A technical staff of our post-production tells me that I have no HD Reißschwenks / zooms longer allowed to do, because the chip (?) Not cope. So because of wealth and so s.Information.
I have the problem with the EX3 synonymous?


Yes, the "codec collapses", called Good explains in das

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Antwort von frm:

I find it so cool that you have a Ex3 searched and only HDV films. Why did you buy the cam? da wär so synonymous in the 1080 comparative HQ 50i better. Otherwise, the speakers, I can only give. But I have repeatedly been synonymous with great success with 25P and used Steadycam seh no ruckler.

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Antwort von Lutz Dieckmann:

Hi,

So I agree with my previous speakers, the link to my tutorial has already been set. You can get but still synonymous "The Shutter" and see "Movies & video look", which helps perhaps synonymous.
Generally, I shoot everything in 25P and have ZERO problems. Hand-held camera is sometimes difficult but you have to just try it. With the EX3 can shoot great images but please, I never, ever in P. Otherwise, you get synonymous with the encoding problems. The new tutorial about this I've written grad, it will be in about 3 weeks online. That should answer your questions then.

Many greetings

Lutz

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