Have a question about the setting of documentary shoot. What exactly because of the workflow? How do you s.besten it?
Until now, I solve the folgendermase: Visual FX in AfterFX, cutting in Premiere it and follow I import the edited material in AfterFX coaster all the visual additions to turn. But when the undertone? You have to think about cutting but even when, and with only gaps miteinkalkurieren Music. And who created the Articles for the speaker in documentary shoot?
Antwort von Pianist:
In the best case, you should already have the Rotate certain "text blocks" in mind so that you make the right shots. And you should know roughly synonymous, which is brought about conducting Articles from the off and which statements of the people should come before the camera. If that is to say it all, and in a manner and way that you can hardly cut it, then for yourself what little is left. So people s.besten compress the same to a certain core message.
Now for the text: Well, who is the write well? You have to do the course itself. Or do you need someone to get into the boat, which the responsible for you. The question is whether one writes the lyrics first or only cut to not answer the board. It depends also on the timing of the film from synonymous. My personal rule of thumb is this: Short concise things I texte first, then I am even on the text, put the text directly on the cut s.and then Picture.
For longer objects, which are cut a little quiet, one can reasonably cut first and then writes the text. How many notes you make must write out, or by time must be, then this is purely a matter of practice. In most cases you will be able to accommodate less text than you first suspect.
Just to try to get practice. Or look at other times of existing films targeted and-then listen.