Adobe Premiere Pro, After Effects, Audition in new versions // NAB 2017

Adobe also seems to want to be present with the pre-announcements of new functions from immediately to the final product. Instead of the usual preview of the NAB, all presented innovations in the video products should be available from today (April 19, 2017) on the Creative Clound. This time, there are few functional changes in After Effects, Premiere Pro, Audition and Character Animator. Rather, the weight of this update is the simplification of workflows of the (anyway rather functionally loaded) applications. The most important new feature is the premiere, after effects and audition. The so called "Essential Panels" allow you to save effect combinations and publish them with simplified "meta parameters". Thus, a complex audio effect chain onlyElementary parameters for unimportant users (ie show). If necessary, however, you can enter the individual sub-effects at any time and modify them in detail. The Essential Panels are primarily intended to keep the complexity of users who are not so deeply involved in the effect matter. u003cstrongu003eAfter Effectsu003c/strongu003e The Motion Graphics templates that can be created in After Effects follow this same idea. Here, too, you can only provide elementary settings, such as text color or font style, to a designed text animation using its own essential panel. With these, anyone can use the template (also in Premiere) very easily and without changing the corresponding parameters in the depths of theAFX composition. On this occasion, Adobe has extended the included templates as well. Personally, however, the news was most pleased that After Effects finally finally also integrated measuring instruments gets. For this, the Lumetri scopes were ported from Premiere to After Effects. PIC1 With the new Camera-Shake Deblur it should now be possible, with shaky shots of pictures to count back into the picture. The underlying technology showed Adobe already a few years ago now it is also available as a plugin for moving image. In a presentation, however, Adobe pointed out subtly that one should not expect any cure for any kind of shake. Supposedly, the "Camera Shake Deblur" is still based on classicOptical flow algorithms and not yet on artificial intelligence, which is managed by Adobe under the umbrella term Sensei. Sensei provides in this version however for an automatic Loudness correction in Premiere and is also to be for an improved Lippensynchonitaet in the character animator responsible. u003cstrongu003ePremiere Pro and Auditionu003c/strongu003e A further major change has been made with the title generator in Premiere: With the new "Type Tool" title can be edited directly in the monitor preview window. The text functions were matched to Photoshop and Illustrator. PIC2 In addition, premiere has now clearly increased in the interplay with audition. Here again, Essential Sound Panels ensure that audio specialists are complexProvide effect chains with basic parameters for use only. It is also interesting that Dynamic Link should now function without limitations in team projects. u003cstrongu003eCharacter Animatoru003c/strongu003e The Character Animator has also been further developed and now has various workspaces. Especially for the area live streaming there is now a specially adapted surface. PIC3 The user manual for lip movements has also been significantly expanded. u003cstrongu003eAdobe Stocku003c/strongu003e Obviously, Adobe hopes for a lot of high-quality crowd input for Adobe Stock, the company-owned stock footage library. Because with the new version, users can upload their clips (even in large patches) directly and thus very easy to monetarize release. PIC4 However, the individual

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