[12:21 Mon,19.June 2023 by Rob] |
Central to Asteroid City in pre-production may have been finding the right look for the plot set in the 1950s. Accordingly, Wes Anderson created a small library of books and films as a visual reference. When it comes to films, DP Robert Yeoman should remember "Bad Day at Black Rock" in particular: and Wim Wenders& classic "Paris, Texas". orientate. Accordingly, a lot was to be filmed in direct sunlight without diffusion grids - with the exception of the interior scenes, which were shot mainly with natural daylight (skylights) through diffusion and thus could easily be colour-matched with the exterior scenes. The film was shot with the ARRICAM ST 35 mm film camera and Cooke S4 lenses in an aspect ratio of 1.37:1 and with ARRI Master Anamorphic lenses in a ratio of 2.40:1. The film material used for the colour scenes was KODAK VISION3 200T Colour Negative Film 5213 and for the black and white scenes KOAD EASTMAN DOUBLE-X Black & White Negative Film 5222. We also find the statements here by Robert Yeoman about the more noticeable concentration on the film set when working with negative film material and the omission of a video village by Anderson exciting. Recommendable information here - not only for Wes Anderson fans ...  more infos at bei www.kodak.comdeutsche Version dieser Seite: Spannendes Behind The Scenes über DOP R. Yeoman Arbeit mit Negativfim in Wes Andersons Asteroid City |
Like hardly any other director - with the possible exception of Quentin Tarantino - Wes Anderson stands for the renaissance of negative film stock in Hollywood productions. Kodak has now published a very informative article on DP Robert Yeoman ASC and his work on the SET of Wes Anderson Asteroid City.  |
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