Logo Logo
deutsch
directory schraeg
Knowledge
Codecs
Hardware
Camcorders· Cinema-Kamera· Computers· GPU· Video-DSLR· accessories
Software
Compositing· Color correction· DV Editing
DV-Movies

HowTo
Shooting· Sound
Misc
Reviews
/// News
Red Giant brings lush VFX suite to Adobe After Effects

Red Giant brings lush VFX suite to Adobe After Effects

[22:00 tue,18.June 2019   by ]    

bildRed Giant has introduced a new VFX suite that integrates keying, tracking, cleanup, and visual effects compositing tools directly into Adobe After Effects. The Red Giant VFX Suite consists of nine tools that provide a powerful toolkit for realistic VFX compositing, automatic chroma keying, fast and accurate planar tracking, object substitution/removal, photorealistic glow, beautiful prismatic shift effects, and camera-inspired lens flares. All plug-ins come with a GPU-accelerated engine that is supposed to provide a fast workflow under After Effects.

Supercomp is a compositing environment designed to make it easy to create complex, seamless composites. In Supercomp, light and atmosphere effects interact with all layers and elements of a scene. This should save many manual sub-compositions:



The automatic calculation algorithms of the Primatte Keyers should automatically create a perfect key. New is Core Matte, a tool that holds the inside of the key and at the same time preserves fine, semi-transparent details at the edges. Thanks to GPU optimization, the key should work up to 3x faster than in previous versions.

The King Pin Tracker is designed to provide fast and accurate planar corner tracking, even when the shapes are not simple rectangular. With "To" and "From" pins and the ability to move and rotate in planar space, an object can be nailed to the video.

With the Spot Clone Tracker smaller image errors can be tracked and erased automatically. The object deletion follows an integrated tracker, which can even automatically adjust the illumination by cloning light, color and texture separately.

Optical Glow is a photorealistic glow effect for use in professional visual effects and motion graphics. With the integrated gamma management even virtual light bulbs should always look realistic. But also lightsabers, spaceship engines, police lights and neon signs should be made to glow photorealistically.

Chromatic Displacement uses one layer to move the pixels of another. Unlike the classic Displacement Map in After Effects, Chromatic Displacement uses the displacement image as a height map to provide organic results. This is intended to achieve professional visual effects such as force fields, heat waves, refraction or cloaking effects without much manual work:

In the Knoll Light Factory lensflares can now be rendered interactively on the GPU. With the editor you can adjust the 200 included presets:

With Shadow you can add perspective correct shadows in front of or behind a layer. Alpha channel and brightness can be used as calculation basis. With options for softness, bend, length, color, the Red Giant shadow effect extends the normal shadow tools in After Effects.
And with the latest new Reflection plugin you should be able to add layers very easily a realistic reflection. With controls for softness, distance drop, length, this effect should go far beyond the usual methods of creating reflections.

All tools of the new VFX Suite for Adobe After Effects work in Adobe After Effects CC 2018 and higher. Knoll Light Factory, Primatte Keyer, Optical Glow, and Chromatic Displacement also work in Adobe Premiere Pro CC 2018 and later. Both Windows and Mac are supported.

The entire suite costs . Individual plug-ins and student discounts are available.

Translated with www.DeepL.com/Translator

Link more infos at bei www.redgiant.com

deutsche Version dieser Seite: Red Giant bringt üppige VFX Suite für Adobe After Effects

  

  Vorige News lesen Nächste News lesen 
bildNeues RØDE TF-5 Kleinmembran-Kondensatormikrofon verfügbar bildARD Dokumentarfilm-Wettbewerb 2019/2020: es locken 250.000 Euro und ein Sendeplatz


related news:1E0Adobe Premiere Elements 2020 casts its function shadows ahead... 7.October 2019
Confirmed: ProRes RAW in Adobe Premiere Pro is coming 13.September 2019
Adobe Auto Frame for Adobe Premiere Pro: Automatic reframing of video for different aspect ratios vi 13.September 2019
Blackmagic RAW 1.5: free plugins for Adobe Premiere Pro and Avid Media Composer // IBC 2019 13.September 2019
Adobe After Effects and Nuke now part of Netflix Post Technology Alliance 22.August 2019
Vegas POST now available -- more competition for Adobe 13.August 2019
Free script for Adobe After Effects subtitles in Adobe Premiere Pro 11.August 2019
alle Newsmeldungen zum Thema Adobe Premiere Pro
1E0Adobe After Effects and Nuke now part of Netflix Post Technology Alliance 22.August 2019
Free script for Adobe After Effects subtitles in Adobe Premiere Pro 11.August 2019
Voukoder - use free FFMpeg Encoder in Adobe Premiere Pro and After Effects 3.July 2019
NAB video: Tips & Tricks for Content Aware Fill in Adobe After Effects CC // NAB 2019 25.April 2019
Oscar technology for Adobe After Effects and Photoshop, among others 16.December 2018
Trapcode Suite 15 for After Effects -- introduces new Dynamic Fluids Engine 1.November 2018
ORB - free AFX plugin to create planetary worlds 19.September 2018
alle Newsmeldungen zum Thema Adobe After Effects
1E0The Universe Continues to Grow - Red Giant Universe 3.1 1.October 2019
IBC 2019 video: Elisabetta Cartoni presents the inexpensive Cartoni RED LOCK tripod with 60 (!) kg p 24.September 2019
RED sells used RED cameras // IBC 2019 17.September 2019
smallHD Cine 7 Monitor: Control for RED DSMC2 cameras via Pay-Upgrade // IBC 2019 12.September 2019
New RED Ranger models - now also available for purchase // NAB 2019 10.September 2019
Cartoni RED LOCK tripod with interchangeable 75 / 100 mm holder and 60 kg(!) payload // IBC 2019 20.August 2019
And RED teasert further: Komodo camera owns SDI and Canon RF mount 17.August 2019
alle Newsmeldungen zum Thema Red


[nach oben]
















Archiv Newsmeldungen

2019

October - September - August - July - June - May - April - March - February - January

2018
December - November - October - September - August - July - June - May - April - March - February - January

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000






































deutsche Version dieser Seite: Red Giant bringt üppige VFX Suite für Adobe After Effects



last update : 15.Oktober 2019 - 18:02 - slashCAM is a project by channelunit GmbH- mail : slashcam@--antispam:7465--slashcam.de - deutsche Version