Sony A7RII - First Hands-On (including SLOG2 at ISO 800 ...)
[16:56 Mon,15.June 2015 by Rob]
We will shortly receive the opportunity for a first hands-on with a pre-production model of the Sony A7RII and this central to a story for the film Location: Pinewood Studios in England (exactly James Bond). Here are our first impressions of the Sony A7RII: ergonomics, Gehaeusedesign, 5-axis image stabilization, white balance, handling, menus, Battery, S35 switch, 4K, a comparison to the Sony A7S among others erst presented last week - and today the opportunity for a brief hands- On had with a preproduction of Sony A7RII. This Hau Ruck action has this time done Sony, stay out its new 42.4 MP full frame flagship of the Geruechtekuechen largely. The technical specifications of the new Sony A7RII impress both currently in the Photography- as well as in the video world - our s.hierzuslashCAM News for A7RII and we in A7RII the feeling that Sony has the range video and photo again zusammengerueckt herein. But here are our first impressions of the Sony A7RII in keyword form, containing also some delicacies especially for Video, which does not emerge from the Presseankuendigung so far: We start with a uebersichtlchen comparison video recording functions between the new Sony A7RII and Sony A7S: PIC2 (This survey can also be seen quite well where a moegiches Potential lie for a A7SII be: on In both internal HD and 4K recording in Full pixel read-out without binning The A7RII used in Full HD Recordings Binning. .) The new XGAOLED viewfinder with its 0.78 Vergroesserung offers an impressive viewfinder. By contrast, the EVF A7S takes rather small. In addition, Sony redesigned the eye cup and is thus the more pleasant to the eye at A7RII (compared to A7S). SLOG 2 has been reduced to a minimum of ISO 800 and thus should be significantly less than previously NDs need. The 5-axis image stabilization is activated with Halfway down Ausloesetaste and worked very well in our short hands-on. However, we were able to assess the stabilized image is in the camera, which is not sufficient for a truly aussagekraeftige assessment. Here should soon be able to provide information first real test. The AF function with their 399 Phase sensors seemed already tuned pretty well on video on the pre-production modelto be. Schaerfeuebergaenge made without pumps and with soft Uebergaengen. Again, we unfortunately do not yet have the material to a larger screen to test. The mode selector switch is locked in the defaultmaessig A7RII. Only if you herunterdrueckt a shutter button in the middle, it can be adjusted. A very welcome feature. The batteries are (unfortunately) the same as in the other alpha7 remained. We feel with its 1080 mAh already in A7S get too weak as something. The question now is how 5-axis image stabilization and 4K Recording affect A7RII. According to Sony, the power consumption at the A7RII should be able to be maintained at the level of A7S here we are really looking forward to the first tests. Also, let amazingly in ourMake pre-series short test in video mode, no manual white balance. Therefore you have to picture mode switch back as in the Sony A7S a bug that we have criticized here have frequently and also today again plotted Sony. With a little luck here something changes in the final version Fingers crossed. Particularly exciting we find the 4K Super35 mode, since the Sony A7RII significantly oversampled and the scaled-down image S35 4K image promises to be especially free of artifacts. We want here not too far out on a limb and anticipate our test, but in direct comparison through the viewfinder downsampling seemed at high ISOs a cleaneres image when giving A7RII than at the same high ISOs in A7S. But since it compared a number of different factors
slashCAM News for A7RII and we in A7RII the feeling that Sony has the range video and photo again zusammengerueckt herein. But here are our first impressions of the Sony A7RII in keyword form, containing also some delicacies especially for Video, which does not emerge from the Presseankuendigung so far: We start with a uebersichtlchen comparison video recording functions between the new Sony A7RII and Sony A7S: PIC2 (This survey can also be seen quite well where a moegiches Potential lie for a A7SII be: on In both internal HD and 4K recording in Full pixel read-out without binning The A7RII used in Full HD Recordings Binning. .) The new XGAOLED viewfinder with its 0.78 Vergroesserung offers an impressive viewfinder. By contrast, the EVF A7S takes rather small. In addition, Sony redesigned the eye cup and is thus the more pleasant to the eye at A7RII (compared to A7S). SLOG 2 has been reduced to a minimum of ISO 800 and thus should be significantly less than previously NDs need. The 5-axis image stabilization is activated with Halfway down Ausloesetaste and worked very well in our short hands-on. However, we were able to assess the stabilized image is in the camera, which is not sufficient for a truly aussagekraeftige assessment. Here should soon be able to provide information first real test. The AF function with their 399 Phase sensors seemed already tuned pretty well on video on the pre-production modelto be. Schaerfeuebergaenge made without pumps and with soft Uebergaengen. Again, we unfortunately do not yet have the material to a larger screen to test. The mode selector switch is locked in the defaultmaessig A7RII. Only if you herunterdrueckt a shutter button in the middle, it can be adjusted. A very welcome feature. The batteries are (unfortunately) the same as in the other alpha7 remained. We feel with its 1080 mAh already in A7S get too weak as something. The question now is how 5-axis image stabilization and 4K Recording affect A7RII. According to Sony, the power consumption at the A7RII should be able to be maintained at the level of A7S here we are really looking forward to the first tests. Also, let amazingly in ourMake pre-series short test in video mode, no manual white balance. Therefore you have to picture mode switch back as in the Sony A7S a bug that we have criticized here have frequently and also today again plotted Sony. With a little luck here something changes in the final version Fingers crossed. Particularly exciting we find the 4K Super35 mode, since the Sony A7RII significantly oversampled and the scaled-down image S35 4K image promises to be especially free of artifacts. We want here not too far out on a limb and anticipate our test, but in direct comparison through the viewfinder downsampling seemed at high ISOs a cleaneres image when giving A7RII than at the same high ISOs in A7S. But since it compared a number of different factors ;)
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