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The cameras of the 2021 Oscars for Best Picture and Cinematography incl. Trailer

[10:48 Tue,16.March 2021   by Rob]    

With the final nominations, the Oscars 2021 are on the home stretch. After we had already presented the shortlists here, we now take a look at the cameras used by the final candidates for Best Picture and Cinematograpghy.

Oscars-16350_PIC1




Surprisingly, there is not much new to report in terms of camera choices. ARRI clearly dominates as the tool of choice, as in previous years. Only 1x RED and 1 X Sony as well as a film camera speak a clear language here.

ARRALXEMINILF


Below you will also find the corresponding trailers - enjoy browsing ...

CINEMATOGRAPHY
NOMINEES

JUDAS AND THE BLACK MESSIAH

DP Sean Bobbitt (ARRI ALEXA LF and Mini LF. Lenses: ARRI DNA)

MANK

DP Erik Messerschmidt (RED Ranger HELIUM Monochrome. Lenses: LEICA Summilux C )

NEWS OF THE WORLD

DP Dariusz Wolski (ARRI ALEXA LF, Mini LF. Lenses: Panavision Sphero 65)

NOMADLAND

DP Joshua James Richards (ARRI ALEXA Mini, AMIRA. Lenses: ARRI Ultra Prim)

THE TRIAL OF THE CHICAGO 7

DP Phedon Papamichael (ARRI ALEXA Mini LF. Lenses: Panavision Anamorphic C and T-Series, Canon K 35)

BEST PICTURE
NOMINEES

THE FATHER

David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers
DP Ben Smithard (Sony VENICE. Lenses: Zeiss Supreme)

JUDAS AND THE BLACK MESSIAH

Shaka King, Charles D. King and Ryan Coogler, Producers
DP Sean Bobbitt (ARRI ALEXA LF and Mini LF. Lenses: ARRI DNA)

MANK

Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers
DP Erik Messerschmidt (RED Ranger HELIUM Monochrome. Lenses: LEICA Summilux C )

MINARI

Christina Oh, Producer
DP Lachlan Milne (ARRI ALEXA Mini. Lenses: Panavision P Vintage)

NOMADLAND

Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers
DP Joshua James Richards (ARRI ALEXA Mini, AMIRA. Lenses: ARRI Ultra Prim)

PROMISING YOUNG WOMAN

Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers
DP Benjamin Kracun (ARRI ALEXA Mini. Lenses: Panavision G-Series Anamorphic)

SOUND OF METAL

Bert Hamelinck and Sacha Ben Harroche, Producers
DP Daniël Bouquet (Aaton Penelope. Lenses: Sigma Cine)

THE TRIAL OF THE CHICAGO 7

Marc Platt and Stuart Besser, Producers
DP Phedon Papamichael (RRI ALEXA Mini LF. Lenses: Panavision Anamorphic C and T-Series, Canon K 35)

Link more infos at bei www.oscars.org

deutsche Version dieser Seite: Die Kameras der Oscars 2021 für Best Picture und Cinematography inkl. Trailer

  



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deutsche Version dieser Seite: Die Kameras der Oscars 2021 für Best Picture und Cinematography inkl. Trailer



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