[09:18 Sun,12.August 2018 by Rob] |
ARRIVAL was shot on ARRI ALEXA XT and ARRI RAW. To everyone who would like to approach ARRIVAL in terms of content we recommend this entertaining and successful reflection on: Form, content and communication in ARRIVAL: And finally here comes a FX-Breakdown Clip for ARRIVAL (which we already posted before). Even if ARRIVAL is considered to be rather low FX-heavy, this does not mean that CG does not play a role here:  more infos at bei youtu.bedeutsche Version dieser Seite: Die Cinematografie von ARRIVAL - DOP Bradford Young über Brennweiten, f 1.3, Empathie uvm. |
DOP Bradford Young expounds on his camera work in Denis Villeneuve&s highly praised ARRIVAL in this interesting interview (including many film excerpts). Bradford explains, among other things, his empathetic approach to being able to locate himself in the film. His considerations for choosing the right focal length and filming with a completely open f1.3:  |
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