[15:00 Mon,21.October 2019 by Thomas Richter] |
Actually, special lenses like anamorphic lenses are something you don&t associate with animated films. But Pixar, for example, used various virtual simulations of real lenses and cameras in the latest part of Toy Story. This results in a look that might only be noticed by professional viewers and cameramen, but nevertheless creates a certain look that unconsciously reminds viewers of real movies and great cinema. Toy Story 4 is the first part to be produced in 2.39:1 Cinemascope format. ;) Split Diopter Shot in Toy Story 4
For example, Pixar uses a virtual split focus diopter to simultaneously focus on two objects at different depth levels in a specific scene, and Cooke anamorphoses to use a shallow depth of field and typical artifacts. And already in "Inside Out" (2105) Pixar used for very special looks simulated ARRI/Zeiss Ultra Primes and Cooke S4 lenses and also in some scenes a virtual camera, which was guided manually. Disney  in the remake of "The Lion King" did a similar job, where the DoP Caleb Deschanel filmed the action via a VR interface as if real camera technology was in use - including Stedicam, Dolly operators, drone pilot (for aerial shots) and focus puller. Nerdwriter Evan Puschak explains why and how Pixar uses his virtual lenses in his latest clip.  more infos at bei www.youtube.comdeutsche Version dieser Seite: Die echten Fake-Kameras und -Objektive in Toy Story 4 |
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