[09:59 wed,9.October 2019 by Rob] |
His critical statements on flares and legacy lenses are unusual and refreshing: In times when many are looking for a softer, warmer look, Deakins demands the absence of artifacts and the best possible resolution for his imagery. Also interesting are his comments on the preferred look of large format cameras in contrast to S35 as more natural for him and the advantages of a 40mm lens with CloseUps with less distortion and still larger image angle. If you want to see Roger Deakin&s work with the ARRI ALEXA Mini LF and the Trinity stabilisation system in a current production, you should remember 1917 under the direction of Sam Mendes (James Bond). This 1st World War film will be shown in cinemas in December. But you can already see the trailer: As well as a Behind the Sceens of this again quite elaborate production:  more infos at bei youtu.bedeutsche Version dieser Seite: Tutorial Clip: DOP Roger Deakins spricht über seine Ansprüche an sein Kamerabild und die ARRI Alexa Mini LF |
DOP Roger Deakins should no longer have to be introduced. Who does not know him nevertheless yet:  |
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Apple Updates: Final Cut Pro X 10.4.7. und macOS 10.15 Catalina: iPad als Kontrollmonitor, mehr Speed uvm. …
Nikon Z50 vorgestellt: Erste spiegellose 20.9 MP APS-C Kamera mit Z-Mount, 4K Video und 30p 8MP Silent Video Mode