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"Open Timeline" Premiere CS5 Question!



Frage von monTeur:
Februar 2012

Just got here are a number of projects, all with FCP / Quicktime on Mac have been rendered. The codecs are different, H264, ProRes4444, ProRes422, MPEG4. \u003cbr /\u003e\u003cbr /\u003e The whole thing should now be cut up on a Windows machine in APP CS5 and a "Show Reel" played out. \u003cbr /\u003e\u003cbr /\u003e What settings do I use now in Premiere? I rise with the so-called "open timeline" is not as fully. Premiere is yes (; as opposed to Final Cut) with no native codec, but only uses color and Bitraeume ... \u003cbr /\u003e So yes, there should be no preference what I purely stuffing in the Timeline, Premiere breaks anyway everything down to an output format when I export!? \u003cbr /\u003e\u003cbr /\u003e The only problem is that I get extreme fluctuations in the gamma-rendered files. H264 material is suddenly



Antwort von monTeur:

no one?



Antwort von Axel:

To basic "workflow": Yes, you can throw everything into any timeline. All are handled by QuickTime movs stop. QuickTime is feeling a bit lame on Premiere. Can it be that this is still 32-bit limited? Or so. \u003cbr /\u003e\u003cbr /\u003e The QT-gamma shift (which is either milky appear dull or apparently too dark image) here has so many monsters lined thread. Without judgment with hammers, although some nuclear physicists have added their two cents. Have you already tried this: \u003cbr /\u003e\u003cbr /\u003e > Your version of QuickTime updates (on modern Macs, there's no longer the problem)? \u003cbr /\u003e\u003cbr /\u003e > In Premiere, a QuickTime Desktop Project created? That's what I would in ProRes (not 4444, the anchovy is caught with harpoons). You are not synonymous koenntest then QT Mpeg4s to H








Antwort von monTeur:

Thank you. Have helped me before. \u003cbr /\u003e As I said, it goes to a Windows system. QuickTime 7 is up to date (QT10 I did not want to install due to their limited functions). \u003cbr /\u003e\u003cbr /\u003e So I thought synonymous fits the gamma workflow. Was synonymous with me earlier on Mac is a problem ... \u003cbr /\u003e\u003cbr /\u003e After exporting from Adobe Premiere CS5 is the gamma value in VLC, QT Player, Windows Media Player every time different, and indeed much! \u003cbr /\u003e I know common problem. Is the premiere preview to trust on a true-color monitor? I basically just only with scopes, but this difference is stark Gamma me to think anyway ...




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