Infoseite // 50Mbit Final Cut Avid prepare material for

Frage von Pulsiom:


*** PROBLEM SOLVED ***
*** PROBLEM SOLVED ***
*** PROBLEM SOLVED ***

Hello,

in my company, we work almost exclusively with 50Mbit material. The problem is that 50Mbit None of the Final Cut Pro export in Avid codecs can be rewritten (white image). What is a codec with the one possible with 50Mbit from Final Cut Pro and then export back to Avid can import?

Thank you very much!



Antwort von robbie:

IMX, if the FC supportive.



Antwort von Pulsiom:

Hello,

thanks for the hint. Of course I IMX50 tested, but then came into the Avid white picture. :)



Antwort von PowerMac:

Has the Avid to Final Cut Pro codecs installed?



Antwort von robbie:

"Pulsiom" wrote: Hello,

thanks for the hint. Of course I IMX50 tested, but then came into the Avid white picture. :)

Which Avid? ... This is now the crucial question ...



Antwort von Valentino:

"Pulsiom" wrote: Hello,
in my company, we work almost exclusively with 50Mbit material. The problem is that 50Mbit None of the Final Cut Pro export in Avid codecs can be rewritten (white image). What is a codec with the one possible with 50Mbit from Final Cut Pro and then export back to Avid can import?
So if you do not mind, just the other and Avid DNxHD codec to install so that should be good for the AVID s.besten can. A native 50Mbit IMX codec, the system both understand there is only one of XDCAM Camera Matz or like the 530, but if it is only SD video and her acting s.beiden systems SDI interface've just 2:1 or Avid 3:1 in purity. Maybe that is synonymous with the newer synonymous AVID MXF 50Mbit same as captuern can. As an alternative, I just have the DV50 (DVCPRO so) or the DV100 codec a while I do not know how well this codec in verleich to IMX are.
If garnicht more assists than the entire JPEG2000 sequence rausspielen, which is to stop depending on project length a hard problem could get. Also do not forget that most Avid systems running on Windows and Final Cut Pro on Mac OS stop running and external hard disks only up to 32GB in FAT32 format are. It's best to use the data via LAN to the Avid system.
If I may ask, for what ne Postpro company do you work to?



Antwort von Pulsiom:

"Valentino" wrote:
.. just in 2:1 or 3:1 in the Avid pure. Maybe that is synonymous with the newer synonymous AVID MXF 50Mbit same as captuern can. As an alternative, I just have the DV50 (DVCPRO so) or the DV100 codec a while I do not know how well this codec in verleich to IMX are.

Hey, thanks for the very detailed answer .. DNXHD I have already tried but there are approximately 14MB per second, which makes it quite fast memory brings to overflow. Called the DV100 codec with 100Mbit the second working? If so there would be synonymous slightly oversized. I have now as a transitional solution to the Avid Meridien codec (compressed) chosen from the approximately 35MBits the second and makes the quality synonymous holds quite passable. One second with the DVCPRO codec was exported approximately 3.7 MB in size, which does not correspond 50Mbit and DVC Pro 50 does not naturally if the Final Cut Pro and comes in Avid import. A codec with the DV50 I could name in the list do not see, however, will again look after. Will you work with us, or why you are asking for the company? * g *



Antwort von Pulsiom:

"robbie" wrote:
Which Avid? ... This is now the crucial question ...

Avid Adrenaline Newcutter 7. Supports s.sich the same as the MC3.



Antwort von Pulsiom:

Ah .. But in 2:1 or 3:1, I am no longer at or DV50?






Antwort von Valentino:

"Pulsiom" wrote: Will you work with us, or why you are asking for the company? * g *
The Nene has career goal cutter after I do an internship at a camera rental house made into thin air. Prior to that I have in a post production company and have worked a lot s.AVID learn.

If thou s.einem Newscut work, but it is all about what goes on 100Mbit Performance problems can be deceiving me but synonymous.
But if you've been an adrenaline, but then worried you have a Final Cut Pro with SDI card (BM or AJA) and play it in realtime to another system, which has until now always with us s.Besten works.



Antwort von Pulsiom:

So .. What now? DV100, 2:1 or even 3:1? :) I'm with Meridien not so very well. ;)



Antwort von Pulsiom:

*** PROBLEM SOLVED ***

Hi folks,

thanks for the suggestions, but the problem could be solved s.Ende surprisingly banal. Avid offers on its homepage a codec pack, which is synonymous in Final Cut Pro is implementable. In this pack, in addition DNXHD and the Meridien synonymous of Avid DV50 codec. Export fixer un s.PC easily importable.

Here are some experiences:

Meridien Compressed: Runs at about 32Mbit (DV32) increases the contras and image noise can be more to come.

DV100: Filesize DV50 for purposes unnecessarily high.

Black Magic: Lossless but too big ... about 2GB for 1 minute!

So .. :)



Antwort von Valentino:

"Valentino" wrote:
So if you do not mind, just the other and Avid DNxHD codec to install so that should be good for the AVID s.besten can.
Sorry, but I have not written to you the Avid codecs installiernen should. This is for the Mac for PC as synonymous, it is logical because the yes yes AVID synonymous on both systems.
And yes DV50 (DVCPro 50/D9) synonymous not as effective as the 50Mbit IMX codec.
In IMX is an MPEG2 compression, DV50 improved DV25, which is rather the Digibeta format.
From sampling 4:2:2, 8 bits and the compression of 3,3:1 both format to the codec inden table.