After Premiere Avid - Not as easy as you think ...
Frage von basebox: Februar 2007
PC Pentium 4 HT 3.10 GHz Geforce FX 5200 1.5 GB RAM 750 GB HDD
I (A desperate student of the Media Project, a university must submit) need your help / advice from the solution of some problems.
Have me in the last two weeks at all possible and Avid editing sites and through online / offline video tutorials just a basic knowledge which I increased by long nights actions Google tried to expand my next project and the circumstances more accurately.
Best I sinking Just look at the situation and would love to talk about your constructive mustard very pleased. ;-)
I have just finished a short film finished and now it's s.den cut. Was shot on DVCPRO50 (16:9).
After I found out that Premiere Pro 2.0 does not allow capture DVCPRO50 (Definitely not native), I have for the Avid Media Composer decided.
The capture of the DVCPRO50 VTR was synonymous not a problem. But then I had to find that something when playing the files in Composer not true. The Source Monitor freezes (Only Sound is next) and in the right Composer Monitor runs in all but unfortunately a lot darker. Have you many, many different drivers but nothing has tried the Source Monitor "repaired". By changing the overlay my graphics card, I could still right the Composer monitor to make usable. Ie up to the fact that I use the Clipboard Monitor and monitor the source can not use seems to be the Media Composer on my box to run quite well.
Now comes a certain time constraints. Although I have great interest in me in dealing with the Media Composer to practice but I have the rough for this project in 5 days have done. And then it dawns on me that it is for the Avid-learn perhaps a little tight.
So I decided the project with Premiere Pro 2.0 to cut. (Thus, I work quickly and intuitively) And with After Effects 7 Farbzukorrigieren.
But now I stand in front of a huge list of factors when you import the files into PP2 to Media Composer I have captured.
I've played through some things, but now something to lose perspective. - For export of MC: QuickTime Reference - For export of MC: QuickTime Mov - For export of MC: AVI - Attempt to Umkodiererei with ProCoder2 - Transcoding - ...
Although I have the rough ways clear, but I am in the tens of settings are not quite sure and therefore do not synonymous with what my actual project would be the best solution. Mir, it is especially important with the best possible quality in Premiere to cut in and After Effects to work, because I use the Media Composer for this Project presumably from the first WorkFlow wishes.
I know that if people are giving me with my problem I can help you find here will. :-)
Schönen Gruß. basebox
Antwort von Markus:
if everything is already available digitally in Avid, you could export into single images and that for example in a Project with Lossless codec à la HuffYUV in APP / AE process.
If so my first thought as someone who has not worked with DVCPro50 ...
Antwort von Jürgen F.:
Hello basebox, why hast thou not equal DVCPRO50 via Component or SDI in APP scanned and processed? Must it be native? Perhaps it is the quickest and best way clips of the MC in a batch capture list (EDL) to draw them in APP and to import all the material in auto APP reread. The APP needs it may be. Where do you live now? With an average of recorder, I could help out.