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Beleuchtung für Kurzfilm mit niedrigem Budget (cam: FX7)

Lighting for short film with a low budget (cam: FX7)



Frage von Ice-Film:
Januar 2009

Hello,

I wanted to do with my film crew in the foreseeable time a short film. At Lighting I have been there a bit ... We are especially s.Tag out and filmed in a basement. There are probably a few more shots of "normal-inside". z.Zt I myself, as it were modified as headlights. That means a 150 watt HQI architecture headlight bulbs with daylight and Farbfolien-/Bandoor-Recording, some 500W halogen floodlights Gesandstrahltem with protective glass and Farbfolienaufnahme and synonymous with a 100W halogen spot.
Had a second architectural headlamps (modified of course ...) useful? there would still nonst what, what you should borrow or is that enough?

ich habs in the thread put, because we all FX7 with a twist and in my opinion, of the lighting is not always easy, if you have a noise-free picture wants. I have especially always the problem that, despite amplifier turned off here and there still s.Noise to see what is ...

Thanks in advance!



Antwort von Axel:

"Ice-film" wrote:
"normal-innen"


If it should look like "interior, day," is the simplest method of a Page with highly dispersed tungsten light, which one (not visible in Picture) window is simulated. These can be scattered on a slide frame. Depending on the distance between lamp> Frost film - in which case, like the greater light - you throw synonymous nor a light, soft shadows, which often "real" looks like. Brightening s.besten only bright reflective surfaces, Faltreflektoren with white / gold / silver / black "sides" are not extremely expensive, but extremely practical in comparison to the otherwise good polystyrene plates (simple, but bulky). In the mentioned case of "real" idea of daylight avoided, and the tungsten white balance on the cool down. Although it is (sometimes synonymous on the camera displayed in the white level) with the tungsten foil filter, but any difference of about 300 ° C (with the eye is not visible) results in the finished video to a color. This is synonymous with daylight for artificial character, just always fixed at 5600 ° K remains synonymous when it comes out 7000 or 4000 has. So prefer either - or.

If the windows in the picture, there are two possibilities. One is the outside of the window with a correction filter to stick, the light to 3200 ° C brings. Now you can "brighten electrically" without color.

The second is the difference in brightness only by offset reflectors, so no use of artificial light.

Both have the aim to avoid mixing light. It may be tempting, but as "normal inside" it is not enough.

In the "basement" are probably light bulbs in use. Free choice of means. Typical basement feeling you get by using a setting in one of these lamps as a light source etablierst, and of a light bulb because s.ebenfalls Strong in larger (eg 100 or 200 watts), is from approximately the same direction. With light and shadow work. Is there a coal chute through the daylight change, this may in Comparison to artificial light bluish be in this situation is mixed light motivated.

In "Saw" is the light in the vaults always greenish, which is probably of cheap fluorescent tubes should be motivated. Note however, that skin color is not green yet. This is not easy and may contribute to a high percentage Postpro (color correction). As always synonymous, atmosphere is created when use of the light is motivated by the scene and what he dramaturgically has to offer. A purely naturalistic approach, however, is boring.

"Ice-film" wrote:
I have especially always the problem that, despite amplifier turned off here and there still s.Noise to see what is ...


Maybe know a owner of the FX7 more. Most cameras have an automatic mode, the switching off of gains is ignored. Typically, in manual exposure mode ( "AV") respects your attitude, or course, in purely manual mode.



Antwort von Ice-Film:

Even if the gain is off (manual mode), one sees s.nicht adequately lighted offices, usually black, sometimes Picture-/Farbrauschen. Therefore, the illumination so with about 150 lux lie.





Antwort von Axel:

"Ice-film" wrote:
Even if the gain is off (manual mode), one sees s.nicht adequately lighted offices, usually black, sometimes Picture-/Farbrauschen. Therefore, the illumination so with about 150 lux lie.


There must be a possibility, the end. Otherwise, the camera for your project is not optimal. It is no problem if the main picture part (the motive) 150 lux needed, it would be synonymous not a problem if he still needed more. Lowlight-order skills is not here, light is there. But noise in images?



Antwort von Ice-Film:

so ... I have the scenario again today "postpositive" and especially on black objects in the Picture respected. Conclusion:
not really noisy, but if the picture with a diagonal of approximately 7m view, is there a bit to see. not on a TV set. Perhaps synonymous s.beamer that a few problems with the black representation has.




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