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Einstellungen beim Filmen

Settings when shooting "off" the car with HDR HC1



Frage von ApplePB:
April 2006

Good morning!

My views would be interested to s.besten what settings are, if I film from the car, or outside the camera s.Auto affixes.

Furthermore, it would be interesting accessories, which should be sure to use.

Stichwoerter:

- AF
- Filters
- Wide Angle

I've already read various tests and Fred's, but found nothing useful.

Thank you very much,

Martin



Antwort von LoKs:

Hello Martin,

see here once (Page 2)! Perhaps it HIFT you a little next.
http://www.fxsupport.de/hc1/hc1_2.html

Greeting Det



Antwort von ApplePB:

"Anonymous" wrote:
Hello Martin,

see here once (Page 2)! Perhaps it HIFT you a little next.
http://www.fxsupport.de/hc1/hc1_2.html

Greeting Det


Hi!

Thanks, I've already read 2 times! ;)

Always exciting! Today I even overlooked my lunch break.

Well, as always synonymous, with a focus because I'm not quite sure.

Here was placed manually on the Mercedes star sharp?

Furthermore, I would be interested if they would not achieve with a Wide Anglebessere results.

lg

Martin








Antwort von Markus:

"Martin" ApplePB "" wrote:
- AF

Switch off! Otherwise you run the risk that the camcorder, the focus shifted to the field of control irrelevant image content.

"Martin" ApplePB "" wrote:
- Filters

See the stabilization of Camera in car. In addition to the polarizing filter might be synonymous, the DVCarRig interesting, so you maintain your camcorder for a long time. ;-)



Antwort von ApplePB:

"Markus" wrote:
"Martin" ApplePB "" wrote:
- AF

Switch off! Otherwise you run the risk that the camcorder, the focus shifted to the field of control irrelevant image content.

"Martin" ApplePB "" wrote:
- Filters

See the stabilization of Camera in car. In addition to the polarizing filter might be synonymous, the DVCarRig interesting, so you maintain your camcorder for a long time. ;-)


Hi!

s.1: So, are manual sharp on the car, right?

ad2: The DV Car Rig is too great, since I'm in Shanghai, I have to order it first, and second, with take home!

lg

Martin



Antwort von ApplePB:

"Anonymous" wrote:
Hello Martin,

see here once (Page 2)! Perhaps it HIFT you a little next.
http://www.fxsupport.de/hc1/hc1_2.html

Greeting Det


Hi!

It is generally known that you should avoid at HD rapid movements of the camera.

Would not it be better to take out of the car in a normal DV quality?

Best Regards,

Martin



Antwort von grovel:

"ApplePB" wrote:
It is generally known that you should avoid at HD rapid movements of the camera.


This general truism is not really true. Only because everyone always crying, and shouting have vsvor the first HDV cameras, it is still a long way.
Of course, the MPEG2 codec for the resolution makes problems when moving films a rustling forest leaves, but pictures are possible without problems. The compression is much better than always said.

I for one am going with my HC1 and swing it without any problems. Since one can say the same, the actors should stand still.

Look, the car shots in the already quoted here at Link.

SeeYa grovel



Antwort von ApplePB:

Hi!

Ok, thanks!

Gibts perhaps other questions are still synonymous with the answers?

Best Regards,

Martin



Antwort von Markus:

"Martin" ApplePB "" wrote:
s.1: So, are manual sharp on the car, right?

To focus on the desired motif (driver?).



Antwort von ApplePB:

"Markus" wrote:
"Martin" ApplePB "" wrote:
s.1: So, are manual sharp on the car, right?

To focus on the desired motif (driver?).


Yes, but when the camera is s.Dach, and a part of the car is still on it, whereupon it is sharp?
The desired motive in this case is indeed the environment!

mfG

Martin



Antwort von Markus:

How great is the depth of field in this setting? Does it make any difference whether you are on the vehicle (which part?) Fokussierst or a few meters next to the road? You can see the difference when the vehicle is moving?

The only way as food for thought ... ;-)



Antwort von jojo:

I would put the Aperture mgöichst small and Anglegehen at full wide.
Then set the manual focus to infinity. Thus, after a few meters made sharp

Greeting, Jojo








Antwort von ApplePB:

Quote:
I would put the Aperture mgöichst small and Anglegehen at full wide.
Then manually set the focus to infinity. Thus, after a few meters made sharp

Greeting, Jojo


How siehts with the other settings? Automatically?

mfG And thank you,

Martin



Antwort von videotomi:

HC1 but is purely a camera tripod (all test reports claim the tripod!) For manual settings, because almost nothing is off-hand, except in the wide-angle position. Without any manual adjustments to obtain optimal results.



Antwort von ApplePB:

Hi Guest!

I can not quite follow you!

Quote:
HC1 but is purely a camera tripod (all test reports claim the tripod!) Manual settings


So you think that the HC1 only works well with manual settings?

Quote:
because almost nothing is off-hand


Who speaks of "free hand"

mfG

PB



Antwort von Markus:

"Martin" ApplePB "" wrote:
How siehts with the other settings? Automatically?

White Balance, Aperture, and I also would stop manual, lest it come to a pump of the automatic transmission if you change the lighting situation.



Antwort von ApplePB:

"Markus" wrote:
"Martin" ApplePB "" wrote:
How siehts with the other settings? Automatically?

White Balance, Aperture, and I also would stop manual, lest it come to a pump of the automatic transmission if you change the lighting situation.


Hi Mark!

Thank You for your regular support, if I need a personal consultant, I meld! ;)

To manually Weissabglaich I have a question, and even though change is constantly in a car, the Lichtverhaeltnisse, is it really wise to make this <Manual> too?

Best Regards,

Martin



Antwort von Markus:

In any case, otherwise it is a gamble whether the White Balance is true or not. Du Film during the day outdoors? Then the fixed value used for daylight.



Antwort von jojo:

It comes naturally to s.was synonymous for a "look" you want to achieve.
Unfortunately, sometimes it can look pretty silly if constantly adjusts the automatic. Want to shoot consistently, it is likely to do everything better manual too.
If you want to make cuts in any case often may be better it could be, for example the auto white balance to make.
However, doing so you are risking that with a motif that you want to have is being converted.

I would shoot manual and if necessary, make a color correction in post.

Greeting
Jojo



Antwort von ApplePB:

Hi!

For the first time I want to thank and explain why I inquire why so long.

If I were in Oestereich, I had the camera mounted on my car, and everything tasted.

But since I "did"'m in Shanghai, I will take a taxi for this claim, and must then pay for every mile course.

Among the questions:

Yes, I am filming s.Tag outdoors.

The camera's just outside s.Auto, and so I would like to film about 20 minutes per setting. (You must have been waiting a bit before a cyclist is hit!;))

Among the settings:

To ask the camera to "outside s.Tag" with regard to white balance, I think for a good idea.

I then add the aperture down as far as it (at least what I see s.klein screen) still looks great, and the focus on infinity.

How about because if I open my Aperture something next, and the exposure "turn down"?

What are your ideas for the settings of her pique?

I thought s.folgendes:

- On the roof with a portion of the hood
- On the hood with a very small part of the hood
- On the Page with a front tire (Though even here, the "absolute" is risky.)

- How it looks like a setting where you no longer see the car, but only of the environment?

- Aja, and of course the inside, where at that, because the driver in a "cabin" sits is a bit difficult.

Good, that's been synonymous!

Many many thanks,

Martin



Antwort von Markus:

"Martin" ApplePB "" wrote:
I then add the aperture down as far as it (at least what I see s.klein screen) still looks great, and the focus on infinity.

That with a focus on trying out first! I would imagine that the effect, which I observe with my DV camera, HDV more clearly emerges: Objects contribute slightly blurred when the focus is on infinity. Usually a value is marginally better at infinity to shoot panoramas.

"Martin" ApplePB "" wrote:
How about because if I open my Aperture something next, and the exposure "turn down"?

Why? What do you want to achieve?








Antwort von ApplePB:

Gruess you!

One question, and indeed, how can I protect my wide angle lens when it is outside s.Auto anbgebracht?

Best of Fury,

Martin



Antwort von Marcus2:

With a secure ABUS lock.



Antwort von ApplePB:

I'm sorry, I'm assuming that one has the whole Fred considered before.

I said of course, not that I want with my HC1 over night, turn on s.Dachtraeger wide-angle lens, but,

I'd like driving the lens in front of stone and protect insects blow.

Best Regards,

Martin



Antwort von Marcus2:

Expanded metal front mount, particularly suitable for protection against rockfall. Insecticidal fog helps a normal glass.



Antwort von ApplePB:

"Anonymous" wrote:
Expanded metal front mount, particularly suitable for protection against rockfall. Insecticidal fog helps a normal glass.


How do I fix you think s.besten this glass?

Thanks,

Martin



Antwort von Marcus2:

Console s.Auto tie. Make a Quote from your car Spengler.



Antwort von ApplePB:

"Anonymous" wrote:
Console s.Auto tie. Make a Quote from your car Spengler.


"Console"??

Auto Plumber?

Not I know myself from.

That's what I do just for me, well, and a few people who will see it! ;)

mfG

Martin



Antwort von Markus:

Hello Martin,

let 'you do not cultivate.
Take just a UV filter. ;-)

Learn More:
UV filter for XM2



Antwort von ApplePB:

Hi Mark!

Yes, bring only the UV filter behind the wide-angle lens I do not have much!?

Thanks anyway,

Martin








Antwort von Markus:

No, between WW and Camcorderobjektiv not bring the UV filter a lot. The lens should logically prior to the first lens seated. ;-)

Take then a larger filter, based on the Wide Anglepasst. But you can unscrew the filter from Camcorderobjektiv (reducing the risk of) vignetting.



Antwort von ApplePB:

Aya, thank you, that I wanted to hear!

Did not know that there are filters for Lenses!
I really should've / should! ;)

Can you tell me when to call a specific description, please?

For the HDR HC1 wide angle lens.

Thank you,

Martin



Antwort von Markus:

Look at just after the filter thread diameter. If the SonyWW lens has no front filter thread, you could be a larger UV-filter-fix synonymous with Gaffa tape (tape) s.Lens.

An alternative to the Spin-synonymous could be a rectangle of Cokin Filters. In Gaffa method indeed plays no role. ;-)




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