Frage von Sowbug:
Hi All,
I recently had my first video with the canon hv30 hdv mode in 25 (; + cinemode). Now I have it on Exempt premiere pro cs4, and am not quite sure what sequence settings I need to choose. I once selected HDV 1080p25 "and not play the video above, but synonymous with the timeline is long, in a red beam of the videos shown, which means yes, the format that must somehow be wrong. Perhaps you know what is the proper setting, and what must I do so I have the "true" 25fps (; ie progressive)?
would be great if you could help me.
regards,
sowbug
Antwort von Bruno Peter:
You know sure that the camera bears while covered by a chip for a whole picture, but two non-delayed half-images on tape. So you could post a 50i project in Premiere to pay for it.
Antwort von Axel:
You know sure that the camera bears while covered by a chip for a whole picture, but two non-delayed half-images on tape. So you could post a 50i project in Premiere to pay for it. That is true for the
recording. In the timeline, but the "p" is set correctly.
Antwort von Sowbug:
now I'm a little confused. So I have included in the special hdv25 mode of the canon, and this is now synonymous to 1080p25 timeline right (; synonymous when is displayed in the timeline of the red beams?) or do I Exempt in 50i (, so normal HDV) have to use to 1080p25 ? sry but I am with the whole "i" and "p" not yet so familiar.
Antwort von Bruno Peter:
That is true for the recording. In the timeline, but the "p" is set correctly. I mean no, on tape, there are no full images (p), there are two non-delayed fields. Yes, the HV30 produces no "real" p!
Antwort von Sowbug:
And what would be the correct sequence setting so that I can work with the right progressive 25p?
Antwort von Axel:
There
is indeed no HDV1080p. What is meant is concurrent with HDV 50i interlaced fields, as synonymous produced my XH A1. A 50i
sequence contained a field order: upper field first, a fiftieth of a second later the lower field, but that in the case of HDV1080 "false p belongs" to the first time. A computer monitor (; Project panel, preview) always show both fields at the same time, a primitive form of deinterlacing at 25 fps. Here, it still falls on not.
If you do not believe me, do not you try both. But is quickly made.
Antwort von Sowbug:
So I just use the "HDV 1080p25" sequence for my material to be able to properly process HDV25 (;, despite a red indicator for possibly the wrong setting) and to process the full 25fps without any "pulldown" matters having to do so?
Antwort von Axel:
So I just use the "HDV 1080p25" sequence for my material to be able to properly process HDV25 (;, despite a red indicator for possibly the wrong setting) and to process the full 25fps without any "pulldown" matters having to do so? Whether "simple" I do not know, and if the red bar is normal, I do not know exactly synonymous, I do not think so. I look at my partner, the premiere has, more often over his shoulder and just know that the true 25p timeline. "Easy" instead is the Final Cut Pro, with which
I work, but that does not belong here.
Antwort von Sowbug:
so hab grad and need to find another problem though is at once the sound in the video moved. So when I pull video in the timeline and then played out true to the sound I do not mehr.wenn me look quite normal in the media player, that's the sound. why is that?
Antwort von Axel:
so hab grad and need to find another problem though is at once the sound in the video moved. So when I pull video in the timeline and then played out true to the sound I do not mehr.wenn me look quite normal in the media player, that's the sound. why is that? Normal for this software. Read
here. Workaround is HDV Split.
