Logo Logo
/// 
HD-Workflow bis zur DVD-Ausgabe mit der HDR-FX1

HD workflow up to DVD edition with the HDR-FX1



Frage von fragile:
Juni 2006

Hi,

we want) in August, a few product-shooting videos (about 3-5 minutes per video track. These are to run on, inter alia, 106cm plasma at trade shows.

We had therefore SonyHDR s.eine - Camera designed for production.
Unfortunately, I have little experience with postpro / editing / DVD production, so my basic question about the best practice to be able to spend the camera footage to the best plasma.

So far, I imagine the workflow as follows:

Film on the cam in 1080 and P-format and 16:9 Aspect -> capture from the camera via firewire to our editing computer with Adobe Premiere Pro 2.0 -> Editing -> DVD production with Encore 2.0.

In the details but I have read here, there is something to note ... with which codec am I working s.besten consistently? How do I format the data of s.Encore Premiere Pro? MPEG 2? Can herkömmlcihe DVD (MPEG2) format even handle HD rates and progressive format? The plasma accept even progressive images, so I would like to möglcihst possibly early (already in the camera) with progressive pictures to work to save me de-interlacing etc too ....

schonmal thank you in advance for any tips & more!

Greeting
Frank



Antwort von fragile:

Ok,
Yesterday got a 2-hour HDV workshop of a Sony product manager participated, who treated vsgenau the HVR-Z1E.
It recommends the 1080/50i recording with the camera, then rauscapturen via firewire into Premiere or Final Cut Pro HD project as a cut and with 2-pass variable bit rate with 9800er data rate than MPEG-DVD-compliant stream rausrendern - all interlaced, because his view of modern plasma consistently deinterlacing is very good, usually better than a software.



Antwort von Werny:

"and with 2-pass variable bit rate with 9800er data rate than MPEG-DVD-compliant stream rausrendern - all interlaced, because in his opinion, the deinterlacing modern plasma is consistently very good, usually better than a software."

I am in the Z1 possess
but now I do not quite understand what you mean, respectively, what kind of software do I need to order the material so rausrendern?

Greeting Werny








Antwort von mkrawietz:

I meant to mastering the finished edited video on DVD or less to be able to make it a normal DVD player can play ...



Antwort von wolfgang:

There's either their way to work as long as possible at high resolution, and only at the end make the output SD material only s.end when converting to mpeg-2 for the DVD, or there would be synonymous way, directly from the camcorder allow for SD runterrechnen material - and the SD-cut material.

What could be better now for you is synonymous is related to whether you have just a high-resolution cut ever need - or if you are the eh no preference, because you want to play in the end an SD DVD. Editing is easier to route 2, because there defacto cut in standard definition.

When runterrechnen material of HDV to SD material from APP2 übrigends was made right here in another thread that this a rather absurd quality loss is detectable. As a solution, it was recommended that the material again until making a HDV m2t file into the HDV camcorder to play back to back again and then the output on your PC with SD DV. Since you have spoken of APP is likely, now probably the most concern.

The data rate of 9800 seem to me rather ridiculous heights - in this procedure in 2-pass. So high, I would not necessarily go, and in these large data fields is probably the difference between 2-pass and 1 pass even more very low - because you can go directly to a fixed data rate, perhaps times of 8000th



Antwort von fragile:

The games with the Back to the camera but it means a generation leap in the MPEG codec, I think rather s.einen control / logic error in the workflow of the user. The Sony-Cam can even print directly synonymous of the Cam from SD. Since I found the material but certainly the next 3-4 years will use to unterschiedlcihen fairs, I would want to stay HD.
Would it be better quality eg, Adobe Premiere Pro 2.0 mpeg4 (or H.264, DIVX rauszurendern) and then with a DVD player (most modern könenn the yes), the DIVX or WMV - play videos?

Oh yes, I just screw the data rate as high as possible in the DVD edition, because the films are only between 3-5 minutes long anyway, and draufpassen so loosely ...



Antwort von wolfgang:

Only you have so far almost only SD-DVD player available in the trade as synonymous changes the output as wmv-HD or H.264 at first.

Or are you laughing at you at one of the few players who already can output HD material via component. Imported equipment, we had already discussed, such as the Mediaman HVX-3500 solution. See for example here:
http://videotreffpunkt.com/board.php?boardid=45
Where: synonymous playing is one of HC3 via hdmi not be a bad solution. If you plan at doing this, then it makes sense, of course, remain at high resolution across the entire workflow.



Antwort von fragile:

I had to go before, in the plasma via HDMI ... which codec would offer himself as, if I can play DivX and MP4/WMV synonymous?




Antworten zu ähnlichen Fragen:
Sony HDR FX1
8K HDR Workflow
Sony Firmware-Updates 2021 - FX6, FX9 bekommen 4Kp120 RAW-Ausgabe, XDCAM-Camcorder besseren HDR-Workflow
SONY FX1 Kassetten auslesen
Pinnacle Edition 5
Gigabyte AERO 17 HDR - Flaches 17-Zoll Notebook mit 4K-HDR-Display
Pinnacle liquid Edition 6.1
Pinnacle Edition bleibt schwarz
Pinnacle Edition 6 unter Vista lauffähig?
Magix Video easy TerraTec Edition
Nikon Z fc Special Edition Black und NIKKOR Z 40 MM 1:2 (SE)
Insta360 One RS 1 Inch Edition oder Sony FDR AX53
AW: Pinnacle Studio 11 Plus - Magix Video deluxe Audio & Effects Edition
Pinnacle Studio 11 Plus - Magix Video deluxe Audio & Effects Edition
YT HDR ohne HDR Monitor?
Günstigere EDIUS X Home Edition - Privatanwender schneiden für 249 Euro
ARRI Edition Angelbird AV PRO AR 256 CFast 2.0 Karte // IBC 2018
Insta360 ONE RS 1-Zoll 360 Edition - größerer Sensor jetzt auch für 360°-Video
Workflow Softbox
Frame.io Workflow
Sony A7iii Workflow
Workflow für Messe
Workflow für Interviews
RAW + VFX Workflow
workflow video/audiobearbeitung
Workflow SpyderCheckR24 / Filmconvert

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
KI
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos