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Szenischer Dreh: Canon D 600 oder Nikon D 7000 ?

Scenic shooting: Canon or Nikon D 600 D 7000?



Frage von 0711video:
März 2011

short feature film project for a first I'm following the discussion here in the forum came to the decision to turn this nerve with video camera and not with a HVR Z 1, since it is only used to get but s.2200 ¬.

for that I get a canon d600 and tamron 17-50 + another one objective for a total of about 1500 euro, everything new. and I save about 700 ¬, of which I could still buy an HDTV monitor.

now I've even seen the nikon d 7000, to which I as a former Nikonians two not entirely bad objective 18-70 mm and 70 - could add 210 mm. in both the smallest aperture 4.5.

canon trundles along with images of different size with 60/50/25, nikon only with figure 24. microphones are connected to two external, rotating monitor is on nikon nil. our project as synonymous the future are to be planned before the shoot with time variable. the first place instead of turning on the Stuttgart Beer Festival by night.

your numerous factual (!) inspirations I see as always opposed interested!



Antwort von Jan:

Hi,


in photography I would go to D 7000, for video recordings but rather to a Canon.


The 18-70 is a good Kitlinse, but the shooting just like a relatively unsuitable 70-210 4 to 5.6 it - just too faint.
Just for the night shots. It is possible, but definitely not optimal.



The 600 D I would go synonymous limited because of the video only the tilting LCD (needed really urgent?) And the manual level control with in it. Otherwise rather buy a cheaper 550 D, if desired, the Magic Lantern software on it, and better, we go not in the area during the shoot.

Even though I think in the 17-50 f2.8 aperture for not-so standard grenades, it's much better to shoot enlisting as a 18-70 s.der Nikon.


24 P is yes, the Blu Ray edition, but the directly recorded 24 P in the Nikon cameras I like to move in the image is not very good. There are simply too few images for a fluid movement, so at least my impression.

24 P of professional cameras but produce a better display of motion.


But one should as a new DSLR filmmaker times a taster complete day because it takes some talent. The focus shifts are seen much faster, because you need the right touch and possibly time to constantly not to have the wrong objects in focus.

Now with the Nikon 35mm f 1.4 or Sigma 30 f 1.4, on a small budget must still dasCanon50 f 1.8, f 1.4 or Sigma 30 mm f 1.4.



VG
January



Antwort von joe11:

- 550D plus Magic Lantern software

- 600D with a mixer with level display









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