Logo Logo
/// 
Einige Fragen zu Final Cut und AVCHD Import von HF200

Some questions about Final Cut and import of HF200 AVCHD



Frage von andreask:
Dezember 2009

Hi All,
I am filming for a week with a Canon HF200.
There are several Schweirigkeiten in Film and in the subsequent editing in FInal Cut Pro 7

Switched to 50i and 25p
Can be mixed with 25p and 50i with recordings made in a sequence in FInal Pro?
If so - how shall we then be the sequence settings with respect Halbdominanz.
When 25p is Halbdominanz = odd
When 50i is Halbdominanz = without
In the export of Compressor I see no difference.

I'm assuming that when I import into FInal Cut no besondereb settings for the codec needs to undertake 50i/25p a function of filmed material?

50i material - hackeln the clips in Final Cut Pro in the preview window.
Zudme I shee conspicuous horizontal line formation.
Can this be what to do to avoid this?


At data rates:
I import the clips with Apple ProRes 422nd
In FInal Cut in object settings of the clip I find a data rate of 14.5 MB / s
When I show the clip in Quicktime Scratch open this with a data rate of 121 Mbit / s to.
The data rate of the HF200 is in MXP mode at 24 Mb / s are.
How are these different figures can come about?
Even when I consider false nomenclature of MB and Mb skin to no conversion.

Thank you for your comments in advance.



Antwort von Axel:

It should - - be even higher than 120 Mbit / s for 1920 HD, Apple recommends for HD to ProRes HQ using "too. However, that would be needed only if you have a lot of processing steps are pending.
Quote:
When 25p is Halbdominanz = odd
When 50i is Halbdominanz = without


The reverse is true, if you did well just prescribed.

You can generally i and p mixing in a single timeline, which does not pass the end of each is shown in a reduced quality preview. For the issue but you have to opt for a format anyway. And so the mixed Timeline something for people who are in a hurry. This is the only advantage of this workflow.

If you - are you - need to convert to ProRes anyway, would be a clean deinterlacing via compressor before the cut better (in duplicate default options do change with the frame rate - Logical) - as well as under the Tab Frame controls. Let's do because of "i" and "p" now please, no drum on principle. Try both with mini-sequences, rendering, exporting, inspecting. The differences are minimal, the one discovered - if any - advantages or disadvantages other than the next. It is clear only: Movement Resolution of "i" would be in a "p" timeline for naught anyway ', and vice versa.




Antworten zu ähnlichen Fragen:
Problem with the import of JVC, model GR-DVP3E in Final Cut Express HD
Import Final Cut in After Effects
Final Cut and import mov files
import of AVCHD (; m2ts) of sony CX505VE in Final Cut Express 4 is not funzt
Import AVCHD into Final Cut Express 4 does not work!
Import AVCHD into Final Cut Express leads to Bewegungsunschärfen
Some questions about Final Cut and import of HF200 AVCHD
AVCHD und XAVC S Import
FCP auf OSX 10.9.5 kein AVCHD Import mehr?
Cut with Final Cut Pro X: Second World War Epic Movie 'Unknown Soldier' Breaks Finland Box Office Record.
Windows Premiere CS4 Crash nach Import von AVCHD files
Fincal Cut Pro X Import Fragen Anfänger
Final Cut X
Final cut showreel
final cut x - Doku :D
Final Cut Pro X 10.3.1
Final Cut ruckelt :(
Final Cut 7 kann 4K! Oder
Final Cut Layout zurücksetzen
Fragen zu Final Cut Pro X
Cinema look, Final Cut pro X
Workflow Final Cut Pro X
Schönere Texteinblendungen in Final Cut X
Gratis Final Cut Pro X Workshop
Final Cut Pro X Clips verschwunden?
Problem mit Final Cut Pro X

















weitere Themen:
Spezialthemen


16:9
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos



update am 16.September 2019 - 18:02
slashCAM
ist ein Projekt der channelunit GmbH
*Datenschutzhinweis*