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Adobe Premiere Pro: Welchen Codec soll ich nehmen?

Adobe Premiere Pro: Which codec should I get?



Frage von Freak5:
Juli 2005

I tried with Adobe Premiere Pro exporieren a video. If I CanopusDV codec synonymous assume everything's OK, but I have in my video an all-overlapping Schreiftzug CANOPUS.
If I take a different codec, such as NO or PANASONIC_DV, then stopped, Premiere or I get a crash. What gives?



Antwort von Bruno Peter:

No idea of my purchased Codec Canopus funzt without lettering, synonymous to other codec quit because nothing!



Antwort von Wiro:

Hello,
I wonder, what are you doing these "experiments" and what you want to aim it. No codec? Panasonic codec? What gives?
Take it easy as synonymous to the hundreds of thousands of other designated preset DV (PAL). And if you want to possibly create a DVD, then you exportierst with the Adobe Media Encoder, or - if available and paid for - with the ProCoder Express Exporter.

Then when it crashes nothing s.and synonymous appear not "advertising" in the video ;-)))
Greeting Wiro








Antwort von Freak5:

Well I need to use the Panasonic DV footage to be able to see and otherwise I do not have a DV codec on your PC. The Canopus is only a demo ibid.
Otherwise it does indeed synonymous always work, but I have to reinstall Premiere.

PS: Well, the Panasonic codec has done it in Virtual dub and Flash MX forever, but it may be that the 50 frames are preparing for 720x576Pixeln (Pal) any problems?



Antwort von Gast:

I hope you will speak of 50 fields.

Greeting - Away



Antwort von GhostDog:

"I need to use the Panasonic DV to view material on"

become really exciting, the theme here ...



Antwort von Freak5:

"Guest" wrote:
I hope you will speak of 50 fields.

Greeting - Away

Nope, why?
It should, if I make an MPEG but 50 fields. On the PC looks like the good, or I just throw away every second Picture, give up some things and have 25 progressive images.



Antwort von loehni:

Quote:

Nope, why?
It should, if I make an MPEG but 50 fields. On the PC, it looks good, or I just throw every second Picture
waived off on some things and have 25 progressive images.


What are you doing??
That you should once more to explain here ....
You have a DV - next video ... and now ... how you doing that now progressive? - And why do you want suddenly as mpeg fields again? ..



Antwort von Freak5:

It is noted that 50frames I've worked with the material.
On the PC is to have s.besten progressive material because it looks better. So I will be coded in the version with good quality and take DivX6 with 50Frames. In the bad version, I'll do it with a lower bit rate Resolutionund at 25 frames.

But I want to have synonymous perhaps later on DVD. These are generally viewed on the television (or there for MPEG2 and especially 1 hardly any use there) can see fields certainly look better.



Antwort von Markus:

Hello,

if you put the video recordings and her will walk out, they are not better. So capturing of DV tape (*), editing (export) and as AVI (*). You can again use the new AVI to DV tape, or play next store on the hard drive. The quality is unchanged compared to the original recordings.

* Setting: DV-AVI, 25 fps, interlaced 720 × 576 pixels, (ie 25 frames = 50 fields)

In parallel, you can also convert the AVI file to MPEG2 and burn a DVD for viewing s.Television. S.Computer for viewing the AVI export file again with a progressive image sequence () instead of interlaced. Alternatively, you can apply a space-saving while synonymous codec, like DivX.



Antwort von Freak5:

But if I do I edit interlaced synonymous get into errors. So I thought I videos, which are primarily for the PC, just cut them synonymous with 50fps and 50fps progressive to leave.

If I need on the TV, I would then export 25fps interlaced.

This indeed comes to the same thing, except that I am in the titles and movements in no danger of any botch run make, because I have changed the fields.



Antwort von Markus:

"Freak5" wrote:
But if I do I edit interlaced synonymous get into errors.

Why synonymous? And what are these errors? What makes your way of working of the method described in my last post route?

When you start a new project in Premiere, choose from the available targets DV-PAL> Standard 48 kHz recording and editing of 4:3-DV-PAL> 48 kHz to widescreen 16:9 editing of scenes.

Since you apparently still missing some basics, once you read through the FAQs des slashCAM-Forumscomputer-tips. The knowledge is always available, you read it you need only to look at /.








Antwort von AndyZZ:

Where did you get the 50fps at all from? If the 50 frames per second?

Andy




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