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Farbtemparatur angleich mit Premiere Pro CS4

Farbtemparatur better conform with Premiere Pro CS4



Frage von Ulib:
April 2010

Hello, please to help in the following circumstances:
I have a filmed stage play, and its 2 x, s.verschiedenen day
(Dress rehearsal without an audience with Premiere + audience) from different
Angles in order to make a fun cut.

The lighting was agreed that the stage lights s.beiden days just to set the same.

Nevertheless, I have now the problem's that appears "Thursday video" somewhat "hard" and "white" illumination, (more exaggerated, "the Blue" tending) during the "Saturday Video" rather "warm" lights (appears exaggerated said "the Red" tending).
Better I like the "warm" lit.

There is in PPro an RGB master curve "with which I believe I can get the problem under control,
I would hope, however, would be the possibility of a clip
the correct (desired) color temperature, the values for red blue green with being able to read so they can be corrected to be transferred to a clip.

Goal: 100% exactly the same values for both recording days.

Does this possibility, and if so, what is the name of the Effect and where can I find him?

Thank you ever ...



Antwort von Debonnaire:

Nope, do not exist.

But's really not Rocket Science:

Mach NEN split screen in which you you the same (representative) picture of the two images can simultaneously show. Then you correcting one of the two clips using all the myriads of color correction options in PP so as to match the picture. Control aspect result then s.ein few additional (matching) frames of your movie and lay your cutting off with!

If you have not changed during the two days of receiving the camera settings during recording and this is synonymous to the lighting and his work is, so should the "offset" his constant and finally be corrected by means of the few selected frames can be between two clips!



Antwort von Papachen WE:

Hallöchen,

take time to effect "Color Matching!
I think that is exactly what you are looking for!

Greeting








Antwort von Debonnaire:

Because now I have to try around a little synonymous. There are not so very bad a lot of color correction effects, the PP has installed. Test the stop time through and then judge, who serves s.besten you. - A nice side effect: you learn immediately synonymous still a lot of PP! ;-)



Antwort von Mylenium:

"Ulib" wrote:
I would hope, however, would be the possibility of a clip
the correct (desired) color temperature, the values for red blue green with being able to read so they can be corrected to be transferred to a clip.

Goal: 100% exactly the same values for both recording days.


Is nonsense ... Even if the color values were in the technical sense would be the same, with different levels of certain colors still another sense, because the perceived luminance and thus changed the contrast. This can prove anyone who has ever used the auto color balance in Photoshop ... Moreover, different compression ratios produce different light patterns and the synonymous Noise and you would somehow converge. If that would be as a button, there would be no special people in the film for color correction and grading ... So split screen and manually adjust.

Mylenium



Antwort von Debonnaire:

Each frame of a video clip consists of Width in pixels x Height in pixels pixels, which each have an exact RGB value. The entire frame is therefore of the number-pixel RGB values and not ONE single!

Color Grading means lights, midtones and shadows of a frame, or a setting extremely subjective and the whole thing looking to meet a hoped-for / this / made-color appearance. Because nothing is set with RGB value, and good!

If you can but as a one-click color grading solution that works synonymous in fact, to bring to the market, are you in no time multi-millionaire, and shortly thereafter probably with a concrete block feet s.den in the harbor of your confidence drowns after all the unemployed, highly specialized and highly paid until your invention, your color grading specialists have become seize!

So, color corrections are almost a science and should be of scene to scene, and sometimes several times within a take synonymous with much feeling and yet almost more technical expertise (worked hard), if it will fit perfectly!



Antwort von domain:

Perfect fit only if the ultimate authoritative body combination: eye-brain, nothing can discover more strikingly unpleasant.
Virtually all the instruments so you can forget the NLE, but watch it all the more with my own eyes successive clips in their color, and even within a color correction keyframegesteuerte original clips in the following adjustment should actually not be so rare, at least not for me.
Example: turn out the sunlight in a shadow. All colors are changing dramatically and it can not use may for the next clip.
Then does play with the Bezier curves of the primary color correction to a smooth transition as possible to find. The process may take minutes with continuous observation of the transitions and the intended overall effect.




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