Logo Logo
/// 
HDR Videos mit 2 Canon 5D Mark II erstellt

HDR video with two Canon 5D Mark II creates



Frage von B.DeKid:
September 2010

Very nice idea

See link http://vimeo.com/14821961

with beam splitter which "my Lens" the order?
Someone an idea?

MfG
B. DeKid



Antwort von Simon Aschenbrenner:

Looks really interesting, but I think you would need more different exposures, so it looks realistic? Sun looks bad already artificially from ...

"Beam splitters are the 3D rigs, in which the two cameras perpendicular to each other (one of the top, one of the back) to a set diagonally (45 °), semi-transparent mirror are addressed, so that both cameras while filming from the same perspective, However, with any / he (less) parallax (or in the case without shift), there is no housing in the way like the Side-by-side procedures.

(I just found on the fly) ->
http://marketsaw.blogspot.com/2010/04/3d-film-factorys-new-affordable-3d-beam.html

Regards,
Simon



Antwort von Axel:

A problem was noted earlier on, is that for both HDR shots theoretically absolutely must be synchronously. In contrast to 3D remain the two images are not separated, but are later merged into one. The idea of a 3D rig for HDR abusive use, by the way, we had two years ago, here .

If I have understood correctly HDR, such images would see on an analog medium, can represent the finer gradation, from still strange, hyper-real, but not as falschfarbenmäßig surreal. Thus, whether there has been a third or fourth recording in addition, it will have less to do.









Antworten zu ähnlichen Fragen:
HDR video with two Canon 5D Mark II creates
Canon 5D Mark IV / Probleme beim Video download
4K Filmen ohne Crop - Neue Canon PowerShot G5 X Mark II und G7 X Mark III
Firmware Updates: neue Funktionen ua. für Canon EOS C500 Mark II, C300 Mark III und C70
Firmware-Updates nun auch für Canon EOS C300 Mark III und C500 Mark II erschienen
Canon: Neue Firmware für EOS C500 Mark II und EOS C300 Mark III bringt neue Funktionen
Canon stellt EOS 90D DSLR und EOS M6 Mark II DSLM mit APS-C Sensor und 4K Video offiziell vor
Canon C500 Mark II
Ronin SC vs. Canon M6 Mark II
Kaufberatung Videooptik für Canon 5D Mark IV
Kaufberatung Videooptik für Canon 5D Mark IV
Canon c100 Mark ii - Kran - ZOOM?
Fokusproblem mit Canon EOS 5D Mark IV
Canon EOS C500 Mark II - 6K Vollbild ohne Schwächen?
Canon soll eine R7 C in Planung haben (+ EOS C200 Mark II)
Arbeitet jemand mit Canon 5D Mark IV und C-Log Upgrade?
Kostenloses Canon Cinema EOS C300 Mark III Webinar
Erfahrungen mit Canon 24-70mm/2.8 Mark I auf Sony PXW-FS7
Auch die Canon EOS 1D-X Mark III soll Log3 Option bekommen
Canon EOS C300 Mark III - Neue S35 Referenz in der 4K-Signalverarbeitung?
Canon EOS C300 Mark III - Neue S35-Dynamik-Königin im Anflug?
Vergleich Videostabilisierung: Fujifilm X-T4, Panasonic S1H, Nikon Z6, Canon EOS-1D X Mark III vs GH5
Canon R5 HDR-PQ-Modus
Canon EOS-1 DX Mark III im Anflug: RED Alternative Dank interner 5.4K 60p RAW Aufnahme?
Canon EOS R6 Mark II mit 40 B/s Fotofunktion, 6K RAW (extern), False Color, 24.2 MP 6K Sensor uvm. vorgestellt
Canon EOS-1D X Mark III in der Praxis: Vollformat Flaggschiff mit interner 5.5K RAW LOG Aufnahme

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
KI
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos