Infoseite // Premiere Pro: Green Screen on grass too difficult?



Frage von Hunab Ku:


Hi Folks,

because I need your help once .. For I have made green screen shots, but have, unfortunately, a rather poor quality and therefore the keying very difficult .. If I define everything green lawns as key to disappear synonymous parts of the human being - of the top filmed - will run over him. Is there a way in Premiere, the green some way to "standardize" and thereby create a bigger difference between the substrate and the person. In the grass are unfortunately still too small dark pieces!
If you have tips on here, then, that is, unfortunately, the images we can not do again anytime soon, but maybe there is indeed a method, without any picture editing in Photoshop to have - the green key, and define the keys - better. ch habs already tried with a higher saturation and higher contrast, but that does not help much .. There is a key that may help here (I've selected the RGB Key taken with the forceps and the greens) i

Thank you,
Hunab

Space


Antwort von Hunab Ku:

hey people,

I think I'll have to shoot it again .. s.end the picture will look like this:
a child goes through clouds (moving sichlangsam) right and left of him is barbed wire ..
how to get here to get a good green screen?
I erstmal s.stoff thought and found the following on ebay:
http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=8204244361&ssPageName=MERC_VI_RSII_Pr12_PcY_BIN_Stores
I get for 36 ¬ 30 sqm. If the substance is suitable as a green screen?
And how do I illuminate such a large area right? We film the outside, because of a high ladder, it must then be illuminated at all?

thank you very much!

Space


Antwort von Markus:

Hello,

A green lawn is due to the texture a possible inappropriate background for Keyen. Throw a look into the Blue Screen Tips, Part 1: Preparation and Recording. Here are the basic steps are explained.

Space


Antwort von GhostDog:

hi there you want to bother trying to rotate again to:
if you do not rotate the avatar in the studio where you can illuminate a professional, I would generally advise against green of. the green spill, which remains in any case, looks around schräcklicher lengths from as blue edges ... So:

1. Blue is the better choice.

2. daylight, you can forget it. illuminate - evenly, without shadows or reflections, and diffuse ;-) is the best solution, turn to the studio. object is to have distance from the blue screen. when a child is running on a blue surface, this is not the case, and you'll get blue edges without end.

3. with minidv or all data-reduced digital formats (or 4:2:0 / 4:1:1 video) you need not even think about nen clean key. You'll be mad at you just because it looks so ugly.

fall in your vector painting is the better choice. states: each image (such bsp. in photoshop to mask better, but in a moving video program) - with ner ner gepainteten spline mask or vector mask.

an alternative, but often works poorly, would be a key difference motion. synonymous is only when the picture.

still a lot of success!

Space


Antwort von Hunab Ku:

oh oh that sounds not so good at .. as I not such a high space, let alone the right lighting, etc., space available, I will have to edit each image individually in photoshop: let (the kind that I run on the clouds ..

It only remains for the barbed wire problem .. You can then paint one? or do I cut the time (oh god,) and then put synonymous to the cloud .. ?

Last question: do I have to export every single film-on export -> Export frame and then edit them in photoshop, or is the synonymous different .. the fact that when I export, which are often comically distorted.

thanks

Space


Antwort von Markus:

Hello,

try's first time with a uniformly colored background. In contrast to the lawn You'll see a marked improvement.

The barbed wire, of course, you'd have to prepare for painting in Photoshop (or exempt) and shall turn over the clouds. That will certainly do some work ...

Space


Antwort von Blackeagle123:

Hello,
If you use Photoshop, I'm assuming that you are using synonymous Premiere, Adobe just set!
You can export as a filmstrip in Adobe Premiere and import them into Photoshop. Then you have quite a lot of pictures together in a large. I recommend to export the memory because, first of all, only small Sequeznen too.
Either cut the barbed wire, or create (in Maya or C4d, etc. All 3D Programs, the clouds, creating a chain-link fence, etc. ...). However, it requires long experience with the Program opportunities. I think the result with the cut will be only partially successful, because it just does not look so uncannily real.

The result would be very interested to hear it once, so you can time a Picture or a short video sequence (mpeg1 please, for the Mac people and so ... * g *) Upload or who you're done!
Good luck and still have fun!

Love Greetings
Constantin

Space


Antwort von PowerMac:

"Blackeagle123" wrote: mpeg1 please, for the Mac people and so ... * g *

to hell! we can play well s.Mac everything there!

Space


Antwort von Markus:

Hi Constantin,

You have ever looked at the date of this thread? ;-)

Space



Space



Antworten zu ähnlichen Fragen //


Adobe Premiere Pro CS 5.5, it can not update itself.
Premiere Pro shortcut "Show entire sequence"?
PC for Premiere Pro 5
ADOBE PREMIERE ELEMENTS - Yes or No?
Premiere Pro CS 5.5
Export issues with AE and Premiere Pro
Anchor Point in Premiere Pro
Use of Premiere Pro 1.5 projects with Premiere CS 5
Alternatives to Premiere Pro
problems exporting of clips with Adobe Premiere Elements 7
Premiere Pro 1.5 on Windows 7
Best HD export settings in Adobe Premiere Pro?




slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash