Logo Logo
/// 
capture mit Sony FX-1 (HD-Format) und Premiere Pro

capture with SonyFX-1 (HD format) and Adobe Premiere Pro



Frage von ladidadi:
Mai 2006

Dear All,

I have a question: I want to capture with an HD camera recorded my movie in Premeire Pro.

Now I have tried different:
Recognize the camera via firewire and capture with Windows Movie Maker and AVI to spend .... quality is so-so .. for HD format.

Then pre Premier .. because he recognizes the issue asl Camera with HDV. Formart nniocht but only if I convert to DV output format .. Quality is ok

capture or by CineForm plug the movie:. quality is good but not particularly sharp for HD .. why?

I think HDV is super HOT ..

or do I determine iN Premier adjust settings or in the camera??

Am very grateful for every good tip ... :-)



Antwort von BjörnF:

Hi,

I guess you use Premiere Pro 1.5 - there may only HDV with a small update - and then has the version 1.5.1.

This should easily recognize the premiere synonymous FX1 in HDV mode and HDV footage can eindigitalisieren.

Björn



Antwort von grovel:

My recommendation: Just with the external program to capture HDV Split.

See synonymous:

http://forum.slashcam.de/viewtopic.php?p=145549 # 145,549

SeeYa grovel








Antwort von PowerMac:

HDV of the FX1 is not synonymous particularly sharp. General HD (V) is not as sharp as one imagines it. Is s.Format, the compression and the poor sharpness at open aperture.

Sharpness unequally high resolution.



Antwort von Wiro:

Hello,
because of the description (Cineform plug) I'm going assume that Appro 1.5.1 is used - not 2.0 (little difference in HDV processing).

1.5.1 use the car while capturing HDV CineForm Visually Perfect codec if it is selected as the project setting HDV - 1080i - 25.00. Since you can really do no wrong, I had no problems so far.

What do you mean with "not very sharp"? How do you rate that? Do not you have an HD-ready TV monitor?
Greeting Wiro



Antwort von bbslash:

"PowerMac" wrote:
HDV of the FX1 is not synonymous particularly sharp. General HD (V) is not as sharp as one imagines it. Is s.Format, the compression and the poor sharpness at open aperture.

Sharpness unequally high resolution.


Hello,

I can not let that stand! I have HDV with the FX-1, Pinacle Studio 10 usb700 and tested with Premiere Pro 2.0. And in any case the result is just great!

I create from the HD format only WMVHD files. And on a 24-inch TFT with a Resolutionvon 1920 * 1200 is different to PAL in full screen mode to see very clearly.

Even on my 26 "LCD TV I see when driving in HD graphics card via breakout of a significant difference.

At first I was synonymous believe that the difference is not so great. But if we produced more in HD you get used to fast s.The quality.

One I would like to add, however. I spend the WMVHD files only in 1440 * 1080! If I spend 1920 * 1080 is the quality wirglich much worse!

Many greetings
Bernhard




Antworten zu ähnlichen Fragen:
Adobe Engineering Hours: Was wünscht Du dir für Premiere Pro? Klartext mit Adobe reden und CC-Abo gewinnen
Premiere Pro 17 4:3 Format
Mac Pro: Adobe Premiere Pro demnächst mit ProRes Beschleunigung per Afterburner
Messevideo: Neue Funktionen Adobe Premiere Pro u. bestes, verstecktes Pro-Feature // NAB 2018
adobe premiere pro 1.5
Adobe Premiere Pro
Adobe Premiere Pro Streaming
Fragen zu Adobe Premiere pro 7
Adobe Premiere Pro Blitzeffekt
Problem mit Adobe Premiere 1.5 pro
Adobe Premiere Pro 2020 - TITEL
Adobe Premiere Pro 7 - Input 352x576
Fehler beim Adobe Premiere Pro
Top 5 New Features in Adobe Premiere Pro CC
adobe premiere pro cc stürzt ab , Bildpuffer Fehler
Adobe Premiere Pro mit Quicksync-Unterstützung angetestet
Greenscreen / Ultrakey Problem in Adobe Premiere Pro CC 2015
Was bringt Overclocking beim Export in Adobe Premiere Pro CC?
Adobe Premiere Pro Zeitverzerrung zerstört kompletten Zoom
Adobe Premiere Pro Fehler wer kann helfen
Adobe Premiere Pro CC: Was vor dem Update sichern?
Adobe Premiere Pro CS 5.5 - Tonspur widerholt sich einfach.
Projekt sichern mit Adobe Premiere Pro CS5.5
Adobe Premiere Pro mit einem GamePad steuern
Echtzeit-Kollaboration: Frame.io für Adobe Premiere Pro CC
Adobe bestätigt: ProRes RAW in Premiere Pro kommt

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
KI
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos