Frage von Gast:
Hi All,
after I've made here on the page already with some very interesting articles and forum entries relating to 16:9 (and its variations again) "fit", I am still undecided in the following problem:
I'm with a DV camera that has a 16:9 - CCD rotated and now want the entire import into Final Cut Pro 5.
Since the later edition of the film (also anamorphic and not exclusively) in 16:9 (and full resolution can take place) and will, I wonder what sequence Aufnahmeinstellungen And now I must carry out in Final Cut Pro. Export icih my, I could always go anamorphic, if I feel like it. The recording in Final Cut Pro, but will however NOT be anamorphic, in other words, the original resolution without compression - or am I hab nen fallacy?
I thrust in FC only on the DV-setting option "anamorphic" and not to something like "16:9". And with all the HD standards, so I had nothing to do.
I hope I can give you one of nen tip or link in this regard.
Thank you very much!
Antwort von Markus:
Hello,
in the case of a DV camcorder, the anamorphic images are stored, ie 720 × 576 pixels with a pixel aspect ratio of 1.42.
You Captures the 16:9 into a Project with square pixels, then you blow the existing data on man, what indeed causes larger files, but brings no increase in quality.
Related Topic:
Antwort von Gast:
Hi Mark,
in the case of a DV camcorder, the anamorphic images are stored, ie 720 × 576 pixels with a pixel aspect ratio of 1.42. So thanks but anamorphic DV. Thanks for the tip!
Once again I had the camera available, I will try the right times. ;-)
Greeting
Marius
