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16:9 (nicht anamorph) capturen in FCP

16:9 (not anamorphic) capture in Final Cut Pro



Frage von Gast:
Februar 2006

Hi All,

after I've made here on the page already with some very interesting articles and forum entries relating to 16:9 (and its variations again) "fit", I am still undecided in the following problem:

I'm with a DV camera that has a 16:9 - CCD rotated and now want the entire import into Final Cut Pro 5.
Since the later edition of the film (also anamorphic and not exclusively) in 16:9 (and full resolution can take place) and will, I wonder what sequence Aufnahmeinstellungen And now I must carry out in Final Cut Pro. Export icih my, I could always go anamorphic, if I feel like it. The recording in Final Cut Pro, but will however NOT be anamorphic, in other words, the original resolution without compression - or am I hab nen fallacy?

I thrust in FC only on the DV-setting option "anamorphic" and not to something like "16:9". And with all the HD standards, so I had nothing to do.

I hope I can give you one of nen tip or link in this regard.

Thank you very much!



Antwort von Markus:

Hello,

in the case of a DV camcorder, the anamorphic images are stored, ie 720 × 576 pixels with a pixel aspect ratio of 1.42.

You Captures the 16:9 into a Project with square pixels, then you blow the existing data on man, what indeed causes larger files, but brings no increase in quality.

Related Topic:




Antwort von Gast:

Hi Mark,

"Markus" wrote:
in the case of a DV camcorder, the anamorphic images are stored, ie 720 × 576 pixels with a pixel aspect ratio of 1.42.


So thanks but anamorphic DV. Thanks for the tip!
Once again I had the camera available, I will try the right times. ;-)

Greeting
Marius









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